| Summary: | 碩士 === 國立臺北科技大學 === 創新設計研究所 === 97 === There were lots of aesthetics of living-associated research at home and abroad, nonetheless, there were still rooms for discussion if it is discussed from women’s point of view. In this study, the relationship between female life aesthetics characteristics and ceramics technical was explored. The basis of the women living aesthetic characteristics was explored through living aesthetics and womenomics. The study of the applications and characteristics if ceramics was then integrated into principle of pilot interview, and consequently, women aesthetic of living and ceramic application related information was obtained after in-depth interview with experts.
Using the result of “pilot interview action” as the design principle, the experimental stage was action research-based. The women’s products and vendor analysis was also added as the design proposal, followed by the stage of “practical design action” where the concept ceramic product was designed. Due to the characteristic of action research where the procedures overlap and steps performed repeatedly, the method was reviewed, re-orientated, and refocused constantly. Also, it was evaluated and discussed with vendor during the various stages of creation, and after the correctional plans had been drawn up, the design of next stage would be carried out until a ceramic product was fully completed. The finished product would serve as the model for the next stage, which is the “questionnaire action”. The experts were being interviewed with the implemented products; the adjectives they provided were compared with the key words from the results of pilot interview action, to analyze the extent of women living aesthetics conveying through the ceramic product created by this study.
This study revealed the relation between female life aesthetics characteristics and ceramic products as well as the applications and restrictions of women living aesthetics on actual ceramic craft production. Furthermore, the results of this study is not the representation of all “women living aesthetics characteristics” ceramic products on market, but as a case reference of designing women living ceramic aesthetics.
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