| Summary: | 碩士 === 世新大學 === 廣播電視電影學研究所(含碩專班) === 97 === Creation description of “May I keep Your Key?” starts from description of love by Erich Fromm, and analyzes the characters by discussing about Lacan’s “Mirror Stage”, and bring out the subject “peeping” through Merleau-Ponty’s discussion about the relationship between vision and visible. And compare to other film works to intensify the idea of this film.
Jump out to the frame of the film “May I keep Your Key?”, to compare the production experience and the descriptions, this thesis not only shows what they stand opposite for, but also tries to find a conversion chance.
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