Study of Trois Danses Andaluses op. 8 by Joaquin Turina/ Lan-chun Lin Piano Recital

• Main Authors: Lan-chun Lin, 林蘭君
• Other Authors: Ingrid Tsung
• Format: Others
• Language: zh-TW
• Published: 2006
• Online Access: http://ndltd.ncl.edu.tw/handle/23037667715307921740

碩士 === 東吳大學 === 音樂學系 === 97 === J. Turina, born in Andalucia of South Spain, is one of the famous Spain composers in early 20th century. With more than fifty piano works, mainly Spanish pieces and dance music works, he was accustomed to express his work in suite. Directed by fellow countryman Albeniz and Falla in his oversea study in Paris, Turina’s attention toward national folk music was enlightened. The piano work, Trois Danses Andaluses op. 8, containing three different folk dance rhythms, was finished in 1912 when the folk music was onset. Therefore, this work had special meaning of pioneering within, and the purpose of this study is to discuss the interpretations and performance of this special work. The research fields of this thesis include: 1. The career of J. Turina and his piano work style. 2. The composition analysis of three dance music (Petenera, Tango, and Zapateado) and their distinguishing features in rhymes, musical forms, and keys. 3. The discussion of the performing technique and interpretation about this work. By this research, the author is looking forward to correctly control the property of this work more efficiently and accurately when performing. According to the musical form of this work, J. Turina focused on the dance rhythms rather than any complicated changes. In harmonies and melodies, he integrated three kinds of harmonic styles, including post-Franckian atmosphere, Debussy, and Andalucia. He also showed characteristics in this work, such as the frequent use of the dominant chords with the augmented dominant, the chords with the added sixth, the augmented sixth chord, the appearance of parallel fifths in the progress of harmony, the whole-tone coloring and the Phrygian mode. However, composed mainly of Phrygian cadence, this work filled with features from Andalucia of South Spain and also expressed the spirit of a nationalism composer. The author expects that this study may bring about deeper understanding of J. Turina and Spanish music to readers and more support to performers. Program: D. Scarlatti: Sonata in GM, K. 169 Sonata in CM, K. 132 L. v. Beethoven: Piano Sonata in E-flat Major, op. 31 Nr. 3 F. Chopin: Fantasy in f minor, op. 49 J. Turina: Trois Danses Andaluses, op.8