| Summary: | 碩士 === 東吳大學 === 音樂學系 === 97 === It has been over 150 years since the development of Liuqin, but there were very little logical efforts in study that was being injected in Liuqin Cencerto research. And this thesis is my presented project describing from the origin of the Liuqin music, its historical development and social musical position, in attempting to structure the entire clearer picture of liuqin centro.
Furthermore, this thesis was taking examples of 6 renowned Concertos that are often staged with great popularity, my study begins with the collection information of liuqin centro’s historical heritage and musical traits, the analysis of its musical composition of origin, music creativity, music texture to other related matters…. Apart from that here I am also contemplating at and research from its social back ground, its musical structures, the uniqueness of the technique in notation and the later interpretation of liuqin centro to present our readers in more systematic way thru this study.
Finally, this thesis consist of the following parts, respectively they are the research result, and the suggestion made to those issues aroused…etc, I am looking forward to reflecting this thesis from the observed data, validation and theoretical analysis to assist in providing reference to new gifted enthusiasts to bring to them a step forward in understanding both liuqin centro’s historical significance and influence on contemporary classical music. With the new development of prospective view, all new study and enthusiasts gain an insight into the truth on some of the well known master pieces.
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