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• Main Authors: I Sheng Huang, 黃譯陞
• Other Authors: Yu Hsiu Liu
• Format: Others
• Language: zh-TW
• Published: 2008
• Online Access: http://ndltd.ncl.edu.tw/handle/14869157371132713067

碩士 === 東吳大學 === 音樂學系 === 97 === Ravel (Maurice Ravel, 1875-1937) the last in the life of a work, which are open to male bass pack of three songs, works entitled Don Quichotte a Dulcinee. This works in fact at the time to Don Quixote (Don Quixote) the title of a film made by the soundtrack, in 1932, on behalf of any film Dole • Nelson (Vandor Nelson Films) the company's Austrian director Pabst ( Georg-Wilhelm Pabst, 1885-1967) to find the Ravel with the several excellent reputation for film music composer, but in the end the film company adopted Jacques (Jacques Ibert, 1890-1962) version, rather than Ravel's creation, in the event of litigation, also. First contact with film, they are songs strongly attracted to the Spanish style, full of dance-like rhythm changes and the effect interesting lyrics are so strange and I am quite shocked. Unfortunately, through domestic papers, there is no work for this inquiry, to find the limited information, only for the movie changed Ibert's final version of the soundtrack's studies will compare the two works found Rafah Weir's version is not inferior, why did not use the original, but also want to understand this paper and research areas. Original creative works of Ravel's twists and turns of this process, but also reminded the author of the study a strong motivation, this preparatory work with the film, there are two versions, was originally Orchestra accompaniment, and later wrote the piano version. Therefore, this thesis research purposes, in order to enhance their understanding of the repertoire and, through this discussion and research, hoping to gain more understanding, help solve the concert with the interpretation difficulties.