To comment on the indoor observation and artistic conceptions of "windows"

• Main Authors: Chen Wei-Ru, 陳薇如
• Other Authors: 翁美娥
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/5k59qj

碩士 === 中國文化大學 === 藝術研究所 === 97 === Abstract For every cultural period, there is art that is irreplaceable, and for every piece of art, there is also a period which it belongs to. To talk about painting in particular, artists learn about themselves and express natural settings with their creativity. In terms of painting, artists learn about themselves and express natural settings through creating. After a precise self-analysis, the author chose to collage his life by ‘memory’, and constructs the frame of work by imagery of ‘window’, in order to portray a peaceful atmosphere as well as the imagination of the artists. The author investigates the theme of ‘window’ by master painters Pierre Bonnard and Henri Matisse, and from which he learns that Bonnard worked by memory, whereas Matisse focused on the utilization of space. This thesis discusses the two masters’ painting technique and style, and compares their paintings in details to examine the similarities and differences. The similarity of their ‘window’ paintings is that both are set in everyday scenario. The pictures are the investigations of interior and exterior, hence display a new creative experience of the vision; their difference lies in their construction and positioning of the entire image when representing ‘window’.