The Discourse of animated film making of 「Patient No.13」 and the study of composite art on video taping combined with CG

• Main Authors: CHANG,LI-HSUN, 張立勳
• Other Authors: C. Jay Shih
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/58828728760385533815

碩士 === 國立臺灣藝術大學 === 多媒體動畫藝術學系 === 97 === Abstract “Patient No. 13” is an illusory hyper-realistic story filmed by multiple process shots combining 3D animation with real images. It describes a past-and-present causality brought by a phychedelic patient confined in a phychhouse. He travels throught different lives, breaking the limits of time and space, and gives his doctor a real-like fantastic experience. His illusory travels extricate not only himself but also his doctor from all encumberances that bothers him for years. The illusory world was both familiar and far-away for me who dreams a lot. Thanks for the progesss and popularization in image technology, I can finally concretely present a hyper-realistic imaginary world with the keynote of illusory dreams complementing with the social issue of family abuse, and create an image work featuring my personal art style. The whole film is presented with low-color-screen (低彩度) to express a depressing atmosphere, meanwhile the particle noise gives forth an anxious and ambiguous feeling. These techniques can visualize conflicts between the perceptual and the rational, as well as the salvation and the relief by integrate the elements of yearning for free world, the subconscious fragment memories, the contact throught time and space, and the emotional contradition.