Shape &; Structure -To Analyze Some Series of Robert Rauschenberg's works

• Main Authors: CHEN YI-CHUN, 陳宜君
• Other Authors: CHEN KUANG-YI
• Format: Others
• Online Access: http://ndltd.ncl.edu.tw/handle/89852525826024167378

碩士 === 國立臺灣藝術大學 === 造形藝術研究所 === 97 === Robert Rauschenberg (1925-2008) was the most important artist between of Neo-Dada and Pop art in America. His works was across twentieth century to twentieoneth century .“I try to act in that gap between art and life.” Rauschenberg enforced this concept in all his born days completely. His creations closed to life and society, and that made from his locations. We can peek out society from the found objects and images. His found objects didn’t have particular metaphor, just displayed their original shape. The writer try to analyze some series of Rauschenberg’ works in medium term to the later period. He emphasized two skills -” combine painting ” and “silk screen”, that did not departe from his all creations. The two skills were applied to his creations either early stages (1950-60) or medium term（1970-80）, and even the later period（1990-2008）. They were be used continually and changed to new kinds. We can conclude Rauschenberg’ creations concept and attitude , through to analyze the medium term and the later period works, and to infer the relationship between creations and modern art .