The Study of Motives' Application and Interpretation of Beethoven's Symphony No.5, op.67
碩士 === 國立臺灣藝術大學 === 音樂學系 === 98 === This essay focuses mainly on Beethoven’s Symphony No.5. The first chapter is the introduction about the motivation, the scope and the methods of the research. The second chapter studies the source, the development and the evolution of symphonies; furthermore, it s...
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ndltd-TW-097NTUA02480112017-05-13T04:24:06Z http://ndltd.ncl.edu.tw/handle/81751649262818540242 The Study of Motives' Application and Interpretation of Beethoven's Symphony No.5, op.67 貝多芬第五號交響曲作品六十七之詮釋與動機運用之探討 Chun-Lung Hsu 徐俊龍 碩士 國立臺灣藝術大學 音樂學系 98 This essay focuses mainly on Beethoven’s Symphony No.5. The first chapter is the introduction about the motivation, the scope and the methods of the research. The second chapter studies the source, the development and the evolution of symphonies; furthermore, it studies the characteristics about Beethoven’s nine symphonies. Then, it focuses on the Symphony No.5, which implies the backgrounds, the skills and the characteristics of the composing. The third chapter is the analysis about the composing, a more detailed study on the musical form, the tonality and the tactics used. The fourth chapter is the command interpretation by the author, which introduces the intensity, the rhythm and the changes in speed. Finally, the last chapter is the conclusion, illustrating the author’s own opinions. 呂淑玲 2010 學位論文 ; thesis 116 zh-TW |
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碩士 === 國立臺灣藝術大學 === 音樂學系 === 98 === This essay focuses mainly on Beethoven’s Symphony No.5. The first chapter is the introduction about the motivation, the scope and the methods of the research. The second chapter studies the source, the development and the evolution of symphonies; furthermore, it studies the characteristics about Beethoven’s nine symphonies. Then, it focuses on the Symphony No.5, which implies the backgrounds, the skills and the characteristics of the composing. The third chapter is the analysis about the composing, a more detailed study on the musical form, the tonality and the tactics used. The fourth chapter is the command interpretation by the author, which introduces the intensity, the rhythm and the changes in speed. Finally, the last chapter is the conclusion, illustrating the author’s own opinions.
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呂淑玲 |
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呂淑玲 Chun-Lung Hsu 徐俊龍 |
author |
Chun-Lung Hsu 徐俊龍 |
spellingShingle |
Chun-Lung Hsu 徐俊龍 The Study of Motives' Application and Interpretation of Beethoven's Symphony No.5, op.67 |
author_sort |
Chun-Lung Hsu |
title |
The Study of Motives' Application and Interpretation of Beethoven's Symphony No.5, op.67 |
title_short |
The Study of Motives' Application and Interpretation of Beethoven's Symphony No.5, op.67 |
title_full |
The Study of Motives' Application and Interpretation of Beethoven's Symphony No.5, op.67 |
title_fullStr |
The Study of Motives' Application and Interpretation of Beethoven's Symphony No.5, op.67 |
title_full_unstemmed |
The Study of Motives' Application and Interpretation of Beethoven's Symphony No.5, op.67 |
title_sort |
study of motives' application and interpretation of beethoven's symphony no.5, op.67 |
publishDate |
2010 |
url |
http://ndltd.ncl.edu.tw/handle/81751649262818540242 |
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