Taiwanese Lesbian’ s Identity Formation and Subjectivity Practice in “The L Word”

碩士 === 國立臺北教育大學 === 藝術與造形設計學系碩士班 === 97 === This thesis derives from the ever-popular and controversial TV series <The L Word> of the Showtime Channel, pursuing a process of implementation of “Collective Identity.” Through interviews and discussions with 13 respondents: Lai-Tong、A-Man、Yi-Mei、C...

Full description

Bibliographic Details
Main Authors: Lin,Jia-An, 林家安
Other Authors: 王雅各
Format: Others
Language:zh-TW
Published: 2009
Online Access:http://ndltd.ncl.edu.tw/handle/69274632497596917314
id ndltd-TW-097NTPTC632020
record_format oai_dc
spelling ndltd-TW-097NTPTC6320202015-11-20T04:19:26Z http://ndltd.ncl.edu.tw/handle/69274632497596917314 Taiwanese Lesbian’ s Identity Formation and Subjectivity Practice in “The L Word” 台灣女同志在《TheLWord》影集中的主體形構與認同實踐 Lin,Jia-An 林家安 碩士 國立臺北教育大學 藝術與造形設計學系碩士班 97 This thesis derives from the ever-popular and controversial TV series <The L Word> of the Showtime Channel, pursuing a process of implementation of “Collective Identity.” Through interviews and discussions with 13 respondents: Lai-Tong、A-Man、Yi-Mei、Ciao-Ciao、Shi-Ting、Yu-Huan、Shiao-Mai、Yi-Jyun、Meng-Yu、Zih-Ting、A-Luo、Mi-di and Da-Mao, we have experienced the exploration, debate and dialectic of subjectivity, in search of the new meanings of Taiwanese lesbians’ identities. This thesis is based on qualitative research from the audience’s point of view. The researcher considers that the importance of <The L Word> is to create the discourse space through which the audience “bonds” with others in depth meaningfully. In the collective process, lesbians discover their true faces as well as others’, rendering the possibility of rediscovery and empowerment of their lesbian identity. To the Taiwanese lesbians, it is such a precious experience to have found the collective identity. Although after investing in profound effort in various Gay and Lesbian Movements, Taiwanese lesbians have been gradually moving forward towards an optimistic and positive image, in general, they are still trapped by the self-hatred, gender role system and ethnocentrism, which cause denials and rejections to bisexual women, transgender people, male lesbian, blue class lesbians, typical butch/femme, and androgyny within the LGBT society. Being a “fictional” media text, < The L Word > “truthfully” weaves the life stories and thought process of its audience, contriving collaborative platform of their subjectivity. Furthermore, < The L Word > taps into another level, connecting other individual and collective identities, educating Taiwanese lesbians about the contradiction and narrowness in such self-identity, and brings about the true meaning of liberalism. 王雅各 黃海鳴 2009 學位論文 ; thesis 175 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺北教育大學 === 藝術與造形設計學系碩士班 === 97 === This thesis derives from the ever-popular and controversial TV series <The L Word> of the Showtime Channel, pursuing a process of implementation of “Collective Identity.” Through interviews and discussions with 13 respondents: Lai-Tong、A-Man、Yi-Mei、Ciao-Ciao、Shi-Ting、Yu-Huan、Shiao-Mai、Yi-Jyun、Meng-Yu、Zih-Ting、A-Luo、Mi-di and Da-Mao, we have experienced the exploration, debate and dialectic of subjectivity, in search of the new meanings of Taiwanese lesbians’ identities. This thesis is based on qualitative research from the audience’s point of view. The researcher considers that the importance of <The L Word> is to create the discourse space through which the audience “bonds” with others in depth meaningfully. In the collective process, lesbians discover their true faces as well as others’, rendering the possibility of rediscovery and empowerment of their lesbian identity. To the Taiwanese lesbians, it is such a precious experience to have found the collective identity. Although after investing in profound effort in various Gay and Lesbian Movements, Taiwanese lesbians have been gradually moving forward towards an optimistic and positive image, in general, they are still trapped by the self-hatred, gender role system and ethnocentrism, which cause denials and rejections to bisexual women, transgender people, male lesbian, blue class lesbians, typical butch/femme, and androgyny within the LGBT society. Being a “fictional” media text, < The L Word > “truthfully” weaves the life stories and thought process of its audience, contriving collaborative platform of their subjectivity. Furthermore, < The L Word > taps into another level, connecting other individual and collective identities, educating Taiwanese lesbians about the contradiction and narrowness in such self-identity, and brings about the true meaning of liberalism.
author2 王雅各
author_facet 王雅各
Lin,Jia-An
林家安
author Lin,Jia-An
林家安
spellingShingle Lin,Jia-An
林家安
Taiwanese Lesbian’ s Identity Formation and Subjectivity Practice in “The L Word”
author_sort Lin,Jia-An
title Taiwanese Lesbian’ s Identity Formation and Subjectivity Practice in “The L Word”
title_short Taiwanese Lesbian’ s Identity Formation and Subjectivity Practice in “The L Word”
title_full Taiwanese Lesbian’ s Identity Formation and Subjectivity Practice in “The L Word”
title_fullStr Taiwanese Lesbian’ s Identity Formation and Subjectivity Practice in “The L Word”
title_full_unstemmed Taiwanese Lesbian’ s Identity Formation and Subjectivity Practice in “The L Word”
title_sort taiwanese lesbian’ s identity formation and subjectivity practice in “the l word”
publishDate 2009
url http://ndltd.ncl.edu.tw/handle/69274632497596917314
work_keys_str_mv AT linjiaan taiwaneselesbiansidentityformationandsubjectivitypracticeinthelword
AT línjiāān taiwaneselesbiansidentityformationandsubjectivitypracticeinthelword
AT linjiaan táiwānnǚtóngzhìzàithelwordyǐngjízhōngdezhǔtǐxínggòuyǔrèntóngshíjiàn
AT línjiāān táiwānnǚtóngzhìzàithelwordyǐngjízhōngdezhǔtǐxínggòuyǔrèntóngshíjiàn
_version_ 1718133329147985920