The Analysis and interpretation of Bellini's Bel Canto Operas According to three Arias from I Capuleti e i Montecchi and La Sonnambula

碩士 === 國立臺北教育大學 === 音樂學系碩士班 === 98 === This literary work covers five chapters. The first chapter is the introduction, which contains the research motivation as well as the range of study. The second chapter talks about 19th century Italian Bel Canto Opera's characteristic, and discusses the co...

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Bibliographic Details
Main Authors: Liao Wan-ju, 廖婉如
Other Authors: Lin Wui-chen
Format: Others
Language:zh-TW
Published: 2008
Online Access:http://ndltd.ncl.edu.tw/handle/13604674874948012717
Description
Summary:碩士 === 國立臺北教育大學 === 音樂學系碩士班 === 98 === This literary work covers five chapters. The first chapter is the introduction, which contains the research motivation as well as the range of study. The second chapter talks about 19th century Italian Bel Canto Opera's characteristic, and discusses the composer’s life, the creation course and music work characteristic. The third chapter then introduces the opera "I Capuleti e i Montecchi" and how the script originates, how the actors performed in the play, the plot content, and analyzes the classical romanza song which Juliet sings, “Oh! Quante volte, Oh! Quante”, in view of the music structure, harmony, and interpretation. The fourth chapter inquired into "La Sonnambula" and how the script originates, the actor’s roles, the plot content, and chooses to discuss the songs, “Come per me sereno” and “Ah! Non credea mirarti”, to make the music analysis with interpretation. The fifth chapter is the conclusion, does compared with two operas and to present paper's research makes uniform.