A diachronic study of Chinese comedy films:taking Steven Chow's movie as an example

碩士 === 國立臺灣師範大學 === 圖文傳播學系 === 97 === Wulitou(non-logic) Movies, which casted with Stephen Chow, the lead of the famous Hong Kong comedian director and actor. His movies are the typical comedy plays in Postmodernist style. This paper collects relative information of Stephen`s news , including film r...

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Bibliographic Details
Main Author: 林祥建
Other Authors: 劉立行
Format: Others
Language:zh-TW
Published: 2009
Online Access:http://ndltd.ncl.edu.tw/handle/13884388946182955536
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Summary:碩士 === 國立臺灣師範大學 === 圖文傳播學系 === 97 === Wulitou(non-logic) Movies, which casted with Stephen Chow, the lead of the famous Hong Kong comedian director and actor. His movies are the typical comedy plays in Postmodernist style. This paper collects relative information of Stephen`s news , including film reviews, magazines, papers, periodicals and newspapers, to support my studies. Stephen`s works according to the comedy issues involved, and analyze them thoroughly with the method of text analysis. This paper paying more attention to the performance of the actor in Stephen’s film , and Wulitou Movies’ comedy characteristics , is significant to producing and reseaching the present comedy. Stephen’s movies are also created many new grammars and become the new fashion with imitating. Based on the postmodern context , This article try to analyze this phenomenon with traditional aestheticism , and also illustrates the breakthrough and innovation. Dialogue is no longer always the primary mode of communication. Music, sound, movement, and other visual elements are being explore as ways to make meaning onstage. It may become the special fashionable culture between teenagers.