| Summary: | 碩士 === 國立臺灣師範大學 === 台灣文化及語言文學研究所 === 97 === This study is based on Zhu-Zhi Ci and Eight Scenes Poetry of DaYe Poetry Recital Club in Lu Gang, probing into the literary situation of Lu Gang during the Japanese colonial period. As DaYe Poetry Recital Club is the most important classic poem club in Lu Gang, many local scholars gathered together for their poetic creation, and so their works became more representational. It is not only important to understand the life style of Lu Gang during the Japanese colonial period, but also further think the representative meaning of Zhu-Zhi Ci and Eight Scenes Poetry for Taiwan local literature. Here’s the brief introduction of this study:
Chapter one is to state the research motivation, method, framework, and the generation, region, subject of this study. Chapter two “The literary background and authors of Lu Gang Zhu-Zhi Ci and Eight Scenes Poetry during the Japanese colonial period” is to describe the changes of Zhu-Zhi Ci and Eight Scene poem in Taiwan, , followed with a narration on the foundation, members, activities and creation of the DaYe Poetry Recital Club of Lu Gang. Chapter three “Lu Gang local description in Lu Gang Zhu-Zhi Ci” is to discuss the relationship between regional character and the literary mode of Zhu-Zhi Ci, also including the analysis of people’s life style in Lu Gang and the characteristics of literature in the main text. There are two discussion points in chapter four “Lu Gang local description in Lu Gang Eight Scenes Poetry”, “Eight Scenes” and “Eight Scenes Poetry”. “Eight Scenes”, is to explore the development of Chang Hua Eight Scenes of Ching and Lu Kan Eight Scenes during the Japanese colonial period and after world war, and further understand the implicit significance of “Lu Gang Eight Scenes” during the Japanese colonial period. “Eight Scenes Poetry” is to delve the cultural guide of Lu Gang in “Lu Gang Eight Scenes Poetry”. Finally, the position of Lu Gang, which the scholars were trying to reposition under the change of the generation, and how did “Lu Gang Eight Scenes Poetry” of Japanese colonial period become the critical factor for tourist development of Lu Gang are the topics for discussion via these two researches. Chapter five “Analysis of significance of Lu Gang Zhu-Zhi Ci and Eight Scenes Poetry”, it’s to discuss how did the different modes, Lu Gang Zhu-Zhi Ci and Eight Scenes Poetry, represent a same theme and change the two political description modes into a medium of regional literature. Chapter six, “Result” is to generalize the literary situation and significance of Lu Gang DaYe Poetry Recital Club, then draw the conclusion.
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