圖像數位裝飾化之平面設計創作與研究─以郎世寧繪畫元素應用為例
碩士 === 國立臺灣師範大學 === 設計研究所在職進修碩士班 === 97 === In pursuit of aesthetics, humans have created decorative images. images beautify our world and act as a bridge between art and everyday life. This discussion shall extract elements of creativity from the cultural relics housed in the National Palace Museum...
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ndltd-TW-097NTNU56190182019-05-30T03:49:42Z http://ndltd.ncl.edu.tw/handle/pj5779 圖像數位裝飾化之平面設計創作與研究─以郎世寧繪畫元素應用為例 謝育蒨 碩士 國立臺灣師範大學 設計研究所在職進修碩士班 97 In pursuit of aesthetics, humans have created decorative images. images beautify our world and act as a bridge between art and everyday life. This discussion shall extract elements of creativity from the cultural relics housed in the National Palace Museum. By use of digital design, Chinese traditional paintings can be simplified to create decorative images, which can be then applied to everyday items. This enables the integration between culture and industry. By bringing Chinese traditional artworks into daily life, they can be more readily promoted to the international community. The main topic of this discussion is graphic design. By reviewing documentations, principles behind graphic design composition shall be analyzed. In order to study their expression, "decorative art images" shall be categorized by their media of creation and content. Works of Giuseppe Castiglione shall be analyzed with regards to the variety and characteristics of the paintings' image elements. Example of an actual creation will be shown by applying the method of expression and principles of composition as described in the documentations, while utilizing Castiglione's image elements as the basis. This discussion categorizes the visual simplification methods of image into three categories: planarizing, visualizing, and geometrizing. Forms of decorative compositions include: (1) enhancement, gradiation, splitting and reordering of a single image and, (2) integration and effect-strengthening of multiple images. Utilizing the aesthetic principle of various compositions to approach different ways of maximizing an image's role in decoration. This way an image can be reused to become a decorative image. Works shall be created by summarzing the discussion result. Through representation of production process with diagrams and descriptions, this discussion will communicate the creative concept, process, and results, and illustrate the possibility for follow-up research. 張柏舟 2009 學位論文 ; thesis 96 zh-TW |
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碩士 === 國立臺灣師範大學 === 設計研究所在職進修碩士班 === 97 === In pursuit of aesthetics, humans have created decorative images. images beautify our world and act as a bridge between art and everyday life. This discussion shall extract elements of creativity from the cultural relics housed in the National Palace Museum. By use of digital design, Chinese traditional paintings can be simplified to create decorative images, which can be then applied to everyday items. This enables the integration between culture and industry. By bringing Chinese traditional artworks into daily life, they can be more readily promoted to the international community.
The main topic of this discussion is graphic design. By reviewing documentations, principles behind graphic design composition shall be analyzed. In order to study their expression, "decorative art images" shall be categorized by their media of creation and content. Works of Giuseppe Castiglione shall be analyzed with regards to the variety and characteristics of the paintings' image elements. Example of an actual creation will be shown by applying the method of expression and principles of composition as described in the documentations, while utilizing Castiglione's image elements as the basis. This discussion categorizes the visual simplification methods of image into three categories: planarizing, visualizing, and geometrizing. Forms of decorative compositions include: (1) enhancement, gradiation, splitting and reordering of a single image and, (2) integration and effect-strengthening of multiple images. Utilizing the aesthetic principle of various compositions to approach different ways of maximizing an image's role in decoration. This way an image can be reused to become a decorative image.
Works shall be created by summarzing the discussion result. Through representation of production process with diagrams and descriptions, this discussion will communicate the creative concept, process, and results, and illustrate the possibility for follow-up research.
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張柏舟 |
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張柏舟 謝育蒨 |
author |
謝育蒨 |
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謝育蒨 圖像數位裝飾化之平面設計創作與研究─以郎世寧繪畫元素應用為例 |
author_sort |
謝育蒨 |
title |
圖像數位裝飾化之平面設計創作與研究─以郎世寧繪畫元素應用為例 |
title_short |
圖像數位裝飾化之平面設計創作與研究─以郎世寧繪畫元素應用為例 |
title_full |
圖像數位裝飾化之平面設計創作與研究─以郎世寧繪畫元素應用為例 |
title_fullStr |
圖像數位裝飾化之平面設計創作與研究─以郎世寧繪畫元素應用為例 |
title_full_unstemmed |
圖像數位裝飾化之平面設計創作與研究─以郎世寧繪畫元素應用為例 |
title_sort |
圖像數位裝飾化之平面設計創作與研究─以郎世寧繪畫元素應用為例 |
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2009 |
url |
http://ndltd.ncl.edu.tw/handle/pj5779 |
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