The Research of Oriantal Thinking-Antagonistic and Hamonious Applied on Sculpture Collection

碩士 === 國立臺灣師範大學 === 設計研究所 === 97 === Abstract Since doing the creation, really feel art is life. People can observe the art in different parts of life, so I often find ideas of creation from the natural. Natural is great and tolerance, also cradle the universe, out of nowhere, virtual and real. In f...

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Main Authors: YANG FENG-SHEN, 楊奉琛
Other Authors: 張柏舟
Format: Others
Language:zh-TW
Online Access:http://ndltd.ncl.edu.tw/handle/384ka5
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spelling ndltd-TW-097NTNU56190132019-05-30T03:49:42Z http://ndltd.ncl.edu.tw/handle/384ka5 The Research of Oriantal Thinking-Antagonistic and Hamonious Applied on Sculpture Collection 東方思想〝二元對立與和諧〞應用在雕塑作品之研究 YANG FENG-SHEN 楊奉琛 碩士 國立臺灣師範大學 設計研究所 97 Abstract Since doing the creation, really feel art is life. People can observe the art in different parts of life, so I often find ideas of creation from the natural. Natural is great and tolerance, also cradle the universe, out of nowhere, virtual and real. In fact, it’s all-inclusive. When return to natural, we can understand everything clearly, and then use variable view to explore problems and explain the truth. That is philosophy of life. In my philosophy of life, eastern philosophy is the most important parts. “Conscience” and “morality” are the main concepts in the oriental culture. When conscience and morality connect and integrate, people will into the condition of “combination of human and heaven”. This research is focus on the dualism of eastern philosophy. Nil is beginning of earth, existing is the source of everything. The forms of art creation philosophy are “nihility”, but the materials of creation are “true”. Philosophy of creation must be “nil”, it can make nihility to control nimbly the true. I’ll explore the dualistic and harmonious relationship on nihility and true, existence and emptiness, Yin and Yang. Further, I apply the concepts above to the creations of sculpture, and then create its form of abstract and simple. Finally, the research present my creation’s characteristic of special and particular by using the eastern culture philosophy to the creation of sculpture. Presently, artists in Taiwan promote the advancement of indigenous arts and culture. The inheritance of hard and toughness gather the variable energy among a hundred years and release continually possible. The vitality of the sculpture can be extended to international visibility, Taiwan's sculpture needing our medicine, luxuriant growth of inheritance; expect I’m the one of source of strength. Keywords: sculpture, dualism, Oriental philosophy 張柏舟 梁桂嘉 學位論文 ; thesis 88 zh-TW
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language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺灣師範大學 === 設計研究所 === 97 === Abstract Since doing the creation, really feel art is life. People can observe the art in different parts of life, so I often find ideas of creation from the natural. Natural is great and tolerance, also cradle the universe, out of nowhere, virtual and real. In fact, it’s all-inclusive. When return to natural, we can understand everything clearly, and then use variable view to explore problems and explain the truth. That is philosophy of life. In my philosophy of life, eastern philosophy is the most important parts. “Conscience” and “morality” are the main concepts in the oriental culture. When conscience and morality connect and integrate, people will into the condition of “combination of human and heaven”. This research is focus on the dualism of eastern philosophy. Nil is beginning of earth, existing is the source of everything. The forms of art creation philosophy are “nihility”, but the materials of creation are “true”. Philosophy of creation must be “nil”, it can make nihility to control nimbly the true. I’ll explore the dualistic and harmonious relationship on nihility and true, existence and emptiness, Yin and Yang. Further, I apply the concepts above to the creations of sculpture, and then create its form of abstract and simple. Finally, the research present my creation’s characteristic of special and particular by using the eastern culture philosophy to the creation of sculpture. Presently, artists in Taiwan promote the advancement of indigenous arts and culture. The inheritance of hard and toughness gather the variable energy among a hundred years and release continually possible. The vitality of the sculpture can be extended to international visibility, Taiwan's sculpture needing our medicine, luxuriant growth of inheritance; expect I’m the one of source of strength. Keywords: sculpture, dualism, Oriental philosophy
author2 張柏舟
author_facet 張柏舟
YANG FENG-SHEN
楊奉琛
author YANG FENG-SHEN
楊奉琛
spellingShingle YANG FENG-SHEN
楊奉琛
The Research of Oriantal Thinking-Antagonistic and Hamonious Applied on Sculpture Collection
author_sort YANG FENG-SHEN
title The Research of Oriantal Thinking-Antagonistic and Hamonious Applied on Sculpture Collection
title_short The Research of Oriantal Thinking-Antagonistic and Hamonious Applied on Sculpture Collection
title_full The Research of Oriantal Thinking-Antagonistic and Hamonious Applied on Sculpture Collection
title_fullStr The Research of Oriantal Thinking-Antagonistic and Hamonious Applied on Sculpture Collection
title_full_unstemmed The Research of Oriantal Thinking-Antagonistic and Hamonious Applied on Sculpture Collection
title_sort research of oriantal thinking-antagonistic and hamonious applied on sculpture collection
url http://ndltd.ncl.edu.tw/handle/384ka5
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