何謂「幻想變奏」?—談理查‧史特勞斯的《堂吉訶德》

碩士 === 國立臺灣師範大學 === 音樂學系 === 97 === Don Quixote is the most famous novel of Miguel de Cervantes Saavedra, and Richard Strauss wrote the symphonic poem Don Quixote in 1896/1897.This work is presented by“Variation”,which included 10 Variations and Introduction、Theme and Finale.Differ from other Variat...

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Main Authors: Chen,Hui-Ling, 陳慧玲
Other Authors: Lo,Kii-Ming
Format: Others
Language:zh-TW
Online Access:http://ndltd.ncl.edu.tw/handle/w57ucw
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spelling ndltd-TW-097NTNU52480302019-05-30T03:49:42Z http://ndltd.ncl.edu.tw/handle/w57ucw 何謂「幻想變奏」?—談理查‧史特勞斯的《堂吉訶德》 Chen,Hui-Ling 陳慧玲 碩士 國立臺灣師範大學 音樂學系 97 Don Quixote is the most famous novel of Miguel de Cervantes Saavedra, and Richard Strauss wrote the symphonic poem Don Quixote in 1896/1897.This work is presented by“Variation”,which included 10 Variations and Introduction、Theme and Finale.Differ from other Variations,Richard Strauss has wrote three melodies to stand for three roles: Don Quixote、Sancho Panza、Dulcinea. After the foreword of chapter I,chapter II and III will analyze the three themes how to be used and change in all variations;chapter IV will probe into the story-scenes and composed ideas around instrumentation.Chapter V will try to sum up Chapter I-IV and discuss「what is fantasy Variation ?」or forms of Don Quixote,in oder to understand Richard Strauss’s thought of「New form」. Lo,Kii-Ming 羅基敏 學位論文 ; thesis 152 zh-TW
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language zh-TW
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description 碩士 === 國立臺灣師範大學 === 音樂學系 === 97 === Don Quixote is the most famous novel of Miguel de Cervantes Saavedra, and Richard Strauss wrote the symphonic poem Don Quixote in 1896/1897.This work is presented by“Variation”,which included 10 Variations and Introduction、Theme and Finale.Differ from other Variations,Richard Strauss has wrote three melodies to stand for three roles: Don Quixote、Sancho Panza、Dulcinea. After the foreword of chapter I,chapter II and III will analyze the three themes how to be used and change in all variations;chapter IV will probe into the story-scenes and composed ideas around instrumentation.Chapter V will try to sum up Chapter I-IV and discuss「what is fantasy Variation ?」or forms of Don Quixote,in oder to understand Richard Strauss’s thought of「New form」.
author2 Lo,Kii-Ming
author_facet Lo,Kii-Ming
Chen,Hui-Ling
陳慧玲
author Chen,Hui-Ling
陳慧玲
spellingShingle Chen,Hui-Ling
陳慧玲
何謂「幻想變奏」?—談理查‧史特勞斯的《堂吉訶德》
author_sort Chen,Hui-Ling
title 何謂「幻想變奏」?—談理查‧史特勞斯的《堂吉訶德》
title_short 何謂「幻想變奏」?—談理查‧史特勞斯的《堂吉訶德》
title_full 何謂「幻想變奏」?—談理查‧史特勞斯的《堂吉訶德》
title_fullStr 何謂「幻想變奏」?—談理查‧史特勞斯的《堂吉訶德》
title_full_unstemmed 何謂「幻想變奏」?—談理查‧史特勞斯的《堂吉訶德》
title_sort 何謂「幻想變奏」?—談理查‧史特勞斯的《堂吉訶德》
url http://ndltd.ncl.edu.tw/handle/w57ucw
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