漫畫的視覺戲劇性與分格表現之探討

• Main Author: 藍聖傑
• Other Authors: 呂清夫
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/27374381509622542253

碩士 === 國立臺灣師範大學 === 美術學系 === 97 === In this research, the way transportation to explore the comic creation and the images constitute a dramatic tension by the film mirrors. The content of expression of comic drama is to explore the performance of delivery the viewfinder mirror angles and way the visual impact of the screen, it is to transport to the film's narrative mirrors. The combination of film clips at ways mirror the coherence of the work trends in the performance of comic vision, the author of theme to express ideas clearly communicated to the audience and work to space of effective interaction with the audience. Comic can be divided into two structures: first, content of image and text performance and the second is to the combination rhythm of the narrative of performance and sub-grid to the form. Comic film means to make a more dramatic picture cartoons to increase their visual depth and to use of comic performances unique way to make a visual image of exaggerated performance of even more tension to allow the screen. In the sub-grid of time and space, the Montage clip way to use into the film. There are logical and coherent picture of the association between the screen and be integrated in the continuity of lens. Two organizations have a complete analysis to make the intention of the director of the effect itself will be used in the author's own works. This work would be more mature, more style and depth.