Introspection and Expression Creative Research Argument

• Main Authors: Chi-kuo Liang, 梁慶國
• Other Authors: none
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/57324915372185916758

碩士 === 國立臺南大學 === 美術學系視覺藝術教學碩士班 === 97 === This research was based on the works of the creator covering 2008 to 2009, studying the individual creative thinking pattern, the ideas of artistic creation and analysis of the values. All of these study the performance of the introspection through tracing to the source of the creative ideas, the causes of creation modality & its evolution, and the descriptions for the content. This paper is divided into two parts: the introduction and four chapters. The first part is the Introduction which explains the motive and purpose of this research, steps & methods as well as the scope & structure. Then the Chapter I: the emotional painting is mainly based on literature exploration, analyzing and organizing relevant literature on the theory of expressionism, Willem De Kooning and Francis Bacon. The Chapter II: the Present Myself discusses the introspection for the appearance of the self-reality through the psychological methods, and analyzes the form & content as well as media techniques on these art works. Chapter III: Creative Practices give the details about the context and processes of their own works, and the meaning of the creative works. Chapter IV the Conclusion puts forward some conclusions and reflection on the exposition of his own paper and developing creative series of works. It also gives some expectations to the feasibilities of creativity on future developments. Inside the limited time of life we face many choices of the existing values, thinking about how to live true to ourselves, and seriously enjoy the journey of life every moment of our own. These creative works are the concrete manifestation on their own choices, re-gripping the will to power in the hands. The author explores the contents and the form of oil paintings with presenting qualitative perception mostly based on oil painting materials. By the form of artistic expression and deductive media practices, creating their own image as symbols of portraits, and deeply internalization and renewable interpretation, we can explore the phenomenon of time and space and the morphology of self, understanding life experience, carry out the feasibility of performance on the series of images simulated. Combining theory into the discussion, nothing more than to give their own interpretation on the work for more support affixed to their works. Through self-exploration of the lives of individual, they can understand of respect and love for the living, and develop oil painting and multi-media performance, explore the various types of morphology of self and the natural essences of life in the external reality, interpret visual appearance and internal performance of introspection in time and space crisscross.