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碩士 === 國立中山大學 === 音樂學系研究所 === 97 === From the middle to the late eighteenth century, England prospered due to growing number of industries and revenues from foreign trade. Being economically available, people valued quality of lifestyle, including having amateur musical performances in social gather...

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Main Authors: Chia-yu Yang, 楊佳瑜
Other Authors: Mei-wen Lee
Format: Others
Language:zh-TW
Published: 2009
Online Access:http://ndltd.ncl.edu.tw/handle/8q66p7
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spelling ndltd-TW-097NSYS52480082019-05-29T03:42:53Z http://ndltd.ncl.edu.tw/handle/8q66p7 None 十八世紀中葉至十八世紀末英國業餘音樂:克茲瓦拉《布拉格戰役》探討 Chia-yu Yang 楊佳瑜 碩士 國立中山大學 音樂學系研究所 97 From the middle to the late eighteenth century, England prospered due to growing number of industries and revenues from foreign trade. Being economically available, people valued quality of lifestyle, including having amateur musical performances in social gatherings. Popular musical productions at the time, other than solo music, included also chamber music, such as accompanied keyboard sonatas. In these types of works, the performers could invite the guests to join in the performance, yet also demonstrating his or her own tastes and skills. František Kocžwara’s (1750-1791) The Battle of Prague was one of the most favored piece of works by the English amateur musicians. Due to its moderate level of required performance skills and magnificent effect of the sounds, the amateur musicians were able to perform well in front of their guests, while bring the atmosphere of musical gathering to a high peak. This paper consists of three sections. The first section discusses the development of English music, its influences from local social factors, ands the rise of amateur musicians. The following section discusses the musical form which is mostly favored by amateur pianist in the late eighteenth century - accompanied keyboard sonatas - with depth into its historical background, social functions, and music arrangement. The final section discusses the life of Czech musician, František Kocžwara, and his accompanied keyboard sonatas published in 1788 The Battle of Prague. Through detailed description of the musical style and relationship between the main and the accompanying parts, a better understanding may be formed regarding the non main-trend composers and the elegant lifestyle of the English amateur musical life. Mei-wen Lee 李美文 2009 學位論文 ; thesis 46 zh-TW
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description 碩士 === 國立中山大學 === 音樂學系研究所 === 97 === From the middle to the late eighteenth century, England prospered due to growing number of industries and revenues from foreign trade. Being economically available, people valued quality of lifestyle, including having amateur musical performances in social gatherings. Popular musical productions at the time, other than solo music, included also chamber music, such as accompanied keyboard sonatas. In these types of works, the performers could invite the guests to join in the performance, yet also demonstrating his or her own tastes and skills. František Kocžwara’s (1750-1791) The Battle of Prague was one of the most favored piece of works by the English amateur musicians. Due to its moderate level of required performance skills and magnificent effect of the sounds, the amateur musicians were able to perform well in front of their guests, while bring the atmosphere of musical gathering to a high peak. This paper consists of three sections. The first section discusses the development of English music, its influences from local social factors, ands the rise of amateur musicians. The following section discusses the musical form which is mostly favored by amateur pianist in the late eighteenth century - accompanied keyboard sonatas - with depth into its historical background, social functions, and music arrangement. The final section discusses the life of Czech musician, František Kocžwara, and his accompanied keyboard sonatas published in 1788 The Battle of Prague. Through detailed description of the musical style and relationship between the main and the accompanying parts, a better understanding may be formed regarding the non main-trend composers and the elegant lifestyle of the English amateur musical life.
author2 Mei-wen Lee
author_facet Mei-wen Lee
Chia-yu Yang
楊佳瑜
author Chia-yu Yang
楊佳瑜
spellingShingle Chia-yu Yang
楊佳瑜
None
author_sort Chia-yu Yang
title None
title_short None
title_full None
title_fullStr None
title_full_unstemmed None
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publishDate 2009
url http://ndltd.ncl.edu.tw/handle/8q66p7
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AT yángjiāyú shíbāshìjìzhōngyèzhìshíbāshìjìmòyīngguóyèyúyīnlèkèzīwǎlābùlāgézhànyìtàntǎo
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