| Summary: | 碩士 === 國立屏東教育大學 === 視覺藝術學系 === 97 === In this description of creation, the researcher commences with the self experiences to seek spiritual fluidity and inward essential, which communes with myelf and with the surroundings, and then vitalizes my creations with novel manners through reviewing the entire experiences. The description adopts the style-modal method to explore the form and spirit that artists used, as well as investigate the elements of artists’ style; moreover, the inductive analysis is applied to integrate and gain knowledge of the features also the forms within artwork style; eventually, through the quality analysis method the researcher would deliberate and devise comprehensively along with the process of creation, in order to persist in ruminating about expanding and progressing toward superior quality of work. Furthermore, phenomenology, subconcious theory by Jung (Carl Gustav Jung, 1875- 1961), statements of Kandinsky (Wassily Kandinsky, 1866- 1944), and other related scientific theory are used to clarify the confusion within the trail; most important of all is lead the researcher to a fresh brighting creation thought. To pursue innovative material and make a breakthrough in perception while confronting and crossing the pass is the most distinguishing feature of this description.
The description of creation is composed of two series, The Fluid Energy of Spirit, and To Lead in the Circulating of Nature, including eight works The Light in the Deep Thought, It Collapsed but Still Emerged from Itself, Stringed Music, To Be Crystallize after this Moment, Silent Shelter, Drifting beyond the Place, Dissociating and Summoning, and Forever, which investigate into dissimilar conditions of various spectators. Certainly, the various conditions are not represented for spectators’ unrelated divergent spirit, but the sparking essence of their soul after the chaotic procedure for encountering, splitting and reforming between spectators. The distinguishing features of this description are:
1. Effeminate style of creation: from the touching and appreciating with anima, the inner female of man, the resercher acquire spiritual subsidence through the series of creation.
2. Usage of tentative material: the resercher constantly gropes for the possibility of material.
3. Listen to the essence of nature: the resercher would go into the innate character of natue, and then converts it to creation.
4. Intuitional creation to linear characteristic: the intense intuition and awareness is directly demonstrated into the work through linear features.
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