| Summary: | 碩士 === 國立屏東教育大學 === 視覺藝術學系 === 97 === Mercy or Merciless—Creative Principles and Analysis
of Lu Hung-Miao‘s Calligraphy
Abstract
The origin of this study was based on the enthusiasm on sentimental philology and calligraphy. I wanted to investigate the association among sentiments, poem and calligraphy. I hoped this study could bring new version and feeling to the clients.
The purpose of this study was to express the spirits and emotions by the combination of poetic boundary and personal calligraphic creations. The investigator tried to analyse myself the change and evolution of spirit via calligraphic art creation.
Above the exploration of the theoretical basis, first, I study the sentiment of calligraphic art and the individualism in the Sung dynasty. Second, I analyse the sentimental component in poem of Su-Shi to investigate the expression method of famous calligraphic creations.
As for the materials, styles and techniques, the investigator focused on the multitudinous creations and experimental spirit via the combination of the following assistants (alum mucilage, sponge, brush, salt, and Medium density fiberboard). The techniques included fade in-fade out, ink washing, rubbing, and water painting to break through the space of traditional calligraphic art creation. In order to expand from traditional point-line-plane to three-diversion expression, installation art was cited.
The contents of creation included three major portions: Flight in time, sentimental collections, leisurely interest. I try to express the spirit sublimation and evolution from extrinsic environment, personal boundary, to unselfish boundary, and to encourage people handling the difficulties with optimistic attitude in our life.
Via the calligraphic art creation and investigation, the author concluded that calligraphic art was a boundless knowledge for study. The author would create more other calligraphic art collections aggressively in the future to gain more spiritual growth.
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