Filtering, Interlacing, and Withdrawing: Pastiches in Tom Stoppard’s Travesties
碩士 === 國立高雄師範大學 === 英語學系 === 97 === Postmodernism has often been mentioned when analyzing Tom Stoppard’s literary works in recent years. It is commonly used because of its loose definition. Often, it refers to a school of thought that regards itself as a force against Modernism or chronologically...
Main Authors: | Wei-ching Kuo, 郭威慶 |
---|---|
Other Authors: | Pen-shui Liao |
Format: | Others |
Language: | en_US |
Online Access: | http://ndltd.ncl.edu.tw/handle/60921606602428518240 |
Similar Items
-
Tom Stoppard: TRAVESTIE - komplexní scénografický projekt.
by: Kürner, Marjetka
Published: (2009) -
Intertextuality, Parody and Meta-art in Tom Stoppard's Rosencrantz and Guildenstern Are Dead and Travesties
by: Chih-chung Lin, et al.
Published: (1999) -
A Conversation with Tom Stoppard
by: Tom Stoppard
Published: (2011-12-01) -
Tom Stoppard: Humanizing Chaos
by: Pritzker, Elaine C.
Published: (2011) -
Tom Stoppard: a playwright on the fence
by: Ramsey, Julianne Elizabeth
Published: (2010)