Multi-facet Still Life - Images and Original Meanings

• Main Authors: Hsu Can-lin, 許璨麟
• Other Authors: 李足新
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/28590631091570086781

碩士 === 國立新竹教育大學 === 美勞教育研究所 === 97 === Abstract Searching for the sources of creative inspiration from living experience is what the author has been persisting on. Regarded as the criterion of creative spirit, the author has particularly profound feelings for the still life subject matter in his own surroundings. Creative ideas mainly come from modern objects, with the creative use of classical painting techniques, overlapping strokes to show a continuation of time, and using "portrait" and "space" creation methods to explore and experience the current environment. The main purposes of arts creation from the perspective of images and original meanings are: 1. Analyzing the positioning and presence of various objects encountered in daily life; 2. Placing fantasies and life experiences into objects and the living space; and 3. Expressing the inner reality between the creator and objects in paintings. Classical still life paintings have metaphors in the portrayal of daily life. As still life paintings reach the contemporary epoch, in addition to searches for the innermost being and peripheral sensations from fantasy scenes, the author studies and explores the difference between external reality and internal reality and their symbolic connotations, from the most intimate and most common observation and photograph recording, and from looking at the two dimensional photos and canvas paintings. To create the spatial arrangement in paintings and the overall atmosphere, the author also uses the arrangement theory of Jean Baudrillard to verify the intimate relations between human and objects, and various functional symbols. According to the photograph theories of Roland Barthes, an in-depth research is made on the ambiguous relationship between photographs and paintings, to clarify the time space relation in the two dimensional plane, and also a discussion is conducted of the internal reality and external reality from the perspective of images and original meanings. From the spirit of realism and photographic realism, the author clarifies his own art creations and motivation by excavating the art and living experiences. In contemporary still life paintings, this helps extend the meaning of still life paintings and observations. The author hopes to set the creation objective beyond the external reality to the inner reality.