The Research on 25 Studies OP. 60 for the Guitar by Matteo Carcassi

碩士 === 輔仁大學 === 音樂研究所 === 97 === Abstract In order to pursue higher skill, etude is indispensable for the performers. A set of melodious and progressive studies are rather important, and this is the reason why the 25 guitar etudes in Carcassi’s op. 60 have been widely applied. Matteo Carcassi (1792...

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Main Authors: Te-Huang Peng, 彭德煌
Other Authors: Ming-Jian Fang
Format: Others
Language:zh-TW
Published: 2008
Online Access:http://ndltd.ncl.edu.tw/handle/90422343336222674918
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spelling ndltd-TW-097FJU002480012015-11-25T04:05:13Z http://ndltd.ncl.edu.tw/handle/90422343336222674918 The Research on 25 Studies OP. 60 for the Guitar by Matteo Carcassi 探討馬迪歐.卡爾卡西op.60二十五首吉他練習曲 Te-Huang Peng 彭德煌 碩士 輔仁大學 音樂研究所 97 Abstract In order to pursue higher skill, etude is indispensable for the performers. A set of melodious and progressive studies are rather important, and this is the reason why the 25 guitar etudes in Carcassi’s op. 60 have been widely applied. Matteo Carcassi (1792 – 1853) was the Italian guitarist and composer in the first half of 19th century, he was active in Germany and France and he had composed more than 300 guitar etudes; the op. 59 guitar method that was published in 1836 has been used by most of the learners nowadays. In Carcassi’s op. 60, how did he arrange the techniques such as musical scale, arpeggio, apagado, left-hand fingering, and grace note in this set of 25 studies? And for musical processing, what kind of learning key points did dynamics, timbre, and tempo cover? This article discusses the 25 guitar etudes in Carcassi’s op. 60 from The Complete Carcassi Guitar Method that is published by Mel Bay, so as to carry out thorough analysis, generalization, and discussion. This Mel Bay edition is then compared with the 25 guitar etudes in Carcassi’s op. 60 from The Complete Carcassi Guitar Method that is edited by Gou Yuan Hao Wu Lang and translated by Dun Fu. Ming-Jian Fang 方銘健 2008 學位論文 ; thesis 69 zh-TW
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description 碩士 === 輔仁大學 === 音樂研究所 === 97 === Abstract In order to pursue higher skill, etude is indispensable for the performers. A set of melodious and progressive studies are rather important, and this is the reason why the 25 guitar etudes in Carcassi’s op. 60 have been widely applied. Matteo Carcassi (1792 – 1853) was the Italian guitarist and composer in the first half of 19th century, he was active in Germany and France and he had composed more than 300 guitar etudes; the op. 59 guitar method that was published in 1836 has been used by most of the learners nowadays. In Carcassi’s op. 60, how did he arrange the techniques such as musical scale, arpeggio, apagado, left-hand fingering, and grace note in this set of 25 studies? And for musical processing, what kind of learning key points did dynamics, timbre, and tempo cover? This article discusses the 25 guitar etudes in Carcassi’s op. 60 from The Complete Carcassi Guitar Method that is published by Mel Bay, so as to carry out thorough analysis, generalization, and discussion. This Mel Bay edition is then compared with the 25 guitar etudes in Carcassi’s op. 60 from The Complete Carcassi Guitar Method that is edited by Gou Yuan Hao Wu Lang and translated by Dun Fu.
author2 Ming-Jian Fang
author_facet Ming-Jian Fang
Te-Huang Peng
彭德煌
author Te-Huang Peng
彭德煌
spellingShingle Te-Huang Peng
彭德煌
The Research on 25 Studies OP. 60 for the Guitar by Matteo Carcassi
author_sort Te-Huang Peng
title The Research on 25 Studies OP. 60 for the Guitar by Matteo Carcassi
title_short The Research on 25 Studies OP. 60 for the Guitar by Matteo Carcassi
title_full The Research on 25 Studies OP. 60 for the Guitar by Matteo Carcassi
title_fullStr The Research on 25 Studies OP. 60 for the Guitar by Matteo Carcassi
title_full_unstemmed The Research on 25 Studies OP. 60 for the Guitar by Matteo Carcassi
title_sort research on 25 studies op. 60 for the guitar by matteo carcassi
publishDate 2008
url http://ndltd.ncl.edu.tw/handle/90422343336222674918
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