Study on Self-emotion Image Record

• Main Authors: Mei-Ling Lin, 林美伶
• Other Authors: 劉文三
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/31987973742016991032

碩士 === 長榮大學 === 視覺藝術研究所 === 97 === The writer wrote ‘Study on Self-emotion Image Record to express her feeling of the timeliness of life and seek for existing value in every stage in life by taking herself life experience as observational objects, so as to manifest the implications reflected by emotional conditions of current life. That is to start from life course, take self-lifestyle as entry point, express unconscious complicated emotions controlled by rationality, and explore the spirituality and aesthetic culture of external behavior impacted by internal emotion. I hope this creation study can perfectly explain the images of internal emotion at every stage under the condition of possessing both theory and concepts, and try to reflect and understand valuable points of life and existing aesthetic feeling and value. Based on the above concepts, the study is divided into the following outlines: Chapter One: Introduction: elaborate research motivation, purpose, methods and applications. Chapter Two: Self-portrait thinking trait and creation spirit in western paintings: the content of this chapter belongs to literature review part. In this part, documentation is sorted out and summed up to explore art creators’ creational images on body, heart and soul level implications of background life in art history. It is not only to upgrade the internal thinking of creators, but also help creators to find out suitable and appropriate image language on the implementation of creation and concept. Chapter Three: The creational concept and practice of ‘Self-emotion Image Record’: the chapter starts from self-image message and traits, which are used as the start point of creation concepts; then Application of Creation Skills, Application of Calligraphy Lines, and Application of Oracle Bone Inions Chart are used as the manifestation of creation skills; at last, the creational course and practice are manifested through staged creation of four subjects-Eat but Could not Swallow Down Series, Leisurely Express Series, Happiness of Swaying Skirt Series, and Seaside Awareness Series. Chapter Four: The creational works analysis of ‘Self-emotion Image Record’. This chapter is divided into three big sections. Section One: Overview of Staged Creational Works, which integrate the overview of creation time, application of skills, color manifestation of all creational works; Section Two: Analysis of Main Creational Works, in which seven main works are used as examples to explain creation concepts, subject content, forms and skills, and overall manifestation; Section Three provides all works that were used as reference during creation period for audiences to compare and make reference. Chapter Five: Conclusion: Increase personal creation thinking and capacity from the beginning, continuation, transfer, and combination of the overall creational research; explain the combination of painting creation and internal emotion manifestation on the basis of the integration of creational practice, so as to show ‘heart and soul language’ and ‘life value and aesthetic feeling’, unbind the chains of life images, ‘pursue for dreams’, ‘seize the moment’, ‘take action timely’, supplement the color and skill manifestation of paintings, and keep on making progress, which are the prospect and expectation for future creations.