Wang Bai Yuan''s life and art activity

• Main Authors: Yi-ru Li, 李怡儒
• Other Authors: 趙天儀
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/37439164999083461120

碩士 === 國立中正大學 === 台灣文學所 === 97 === This thesis is criticized of a text and set out with the life of Wang Bai Yuan. Chapter one is “Introduction”. Chapter two is relyed mainly on life course of Wang Bai Yuan. , launch the five course of Wang’s life. We can see the scholars of the period of Japanese rule cross over to the postwar generation, especially colorful and legendary experience of Wang’s life. The magazine established with classmates in the school of Tokyo have not been obtained yet so far, even "The Free newspaper ", English monthly magazine of " English young man in Taiwan " after the war have not been excavated yet either, the materials that this part lacks can also continue following the trail of. Chapter three is discussed Wang BaiYuan early creation consciousness, and it is divided to life road, naturally lyrical, life and death wise think, art, politics, getting other into to make poem, to attempt to grasp the period of" way of thistles and thorns " in spiritual consciousness of Wang Bai Yuan , as to construct clue of spirit in old age . Chapter four is to reach “The February 28 incident” and “The February 28 incident” get king pass away for the disconnected limit after the war, discussed Wang Bai Yuan''s politics is participated in and his arts care .While Hsidh li fa said, it has been already unable to be thought about by writer or artist who makes single identity Wang Bai Yuan, his achievement is plural, and his deep philosophy of view of fine arts, sneak to the thinking of aesthetics faces, or read and search such historical datas of newspapers and periodicals as " Taiwan Hsin Sheng Pao ", " Chinese daily ",etc. completely once again where can find the draft of the king''s omission. Chapter five is concluded the speech. If the materials of Wang Bai Yuan are more complete sometime, or correct in the arts of Taiwan, Wang’s miscellaneous thought should have been comprehensive valued.