| Summary: | 碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 96 === This thesis discusses homosexual artist’s creative background and notion in contemporary art. From Greece’, Renaissance, Modernism, to contemporary’. The thesis explores homosexual art works, discourses in above-mentioned era artist’s background and historic al development and future direction.
“Cosmopolitism” was quoted from “Chapter of Cosmopolitism” in The Book of Rites, retrieving meaning from it, and to accentuate a kind of compassionate and discord world, to animate more denotations in Cosmopolitism: “Obvious” and “Concealment” and “Homosexuality” The discussion is focused on gay people and lesbian and bisexuality are not included.
And then to discuss the relationship within individual art works and Cosmopolitism from the art works of my university period (1996-1999) to graduate school (2006-2008). The thesis is based on gay affections and awareness in activities of daily life. It also combines different art forms such as Literature, Design and Sculpture, attempting to find new creative notions, inner affections and pressures of social morality.
Finally, I definition individual artistic creations and contemporary tendency, and expect the power of personality can afford gay and straight man a new kind of acquaintanceship and awareness.
In the end, I will discuss the connections between contemporary gay movement and gay arts from the “Stone Wall Affairs” in the 70s to the definition of contemporary art trend in my perspective. Also I expect to give the readers a new viewpoint towards gay arts with my own strength.
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