| Summary: | 碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 96 === Once, I received the theory from Freud (Sigmund Freud) and under his theory influence. Surrealism has become the direction which I attempted to explore, and the way (Realistic Surrealism) was tracing myself passing profound memory towards the deepest mindset to create an ultra particular art work. However, imposed for the work, excessively many "I" annotation, also blindly following the wrong trend. Perhaps I wanted to express or attach my work to certain mainstream principle, even again added on dazzles technique with arrogant feeling, sedulously pursued and emphasis all instead creates in a way reflect a true self- idea to be feeble and to become a mere formality
In order to get rid of it, I return to the Surrealism to realize over again how Realistic Surrealism developed, transforming from rational and figurative form to irrational and non-figurative form. I try to explore the area of Abstract Expressionism. Thus, “the automatic writing” from Realistic Surrealism aroused my interest. The abstract calligraphy performance (Calligraphy Expression) has become the creational way, the freedom of consciousness and the freedom of extricates has gets rid of the imitation frame, returns to the basis of picture visual experience. In addition calligraphy itself has East art esthetics view, with the needed of study calligraphy which practiced in the study during my childhood bring back the link process to bond in between the art work itself and the reality which myself wanted, once more , re-concentrated on the space and colorful layout. The artistic historian Heinrich W
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