| Summary: | 碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 96 === This research is orientated on “Seeing an actual picture in real life as contrast to an individual’s mind feeling.” Use outdoor sketch to start to get into this issue and combine the conception of Chinese painting. With the mind change in the process of creating, I rethink the meaning of “Home” to me. I choose my living environment as the theme, trying to find out the most sentimental living spaces connected to the past experience and writing down my own mind feelings.
The frame of this research contains three parts. First, outdoor sketch and creating spirit. Second, try to use plywood on my creation. Third, analyze my art performance and creating spirit, and return to the experience about life.
In Chapter one mainly describes my research motive and topic, talking about the influence of home and why I transform my painting creation from Chinese painting to plane synthesis materials.
In Chapter Two, I clarify my creation materials and forms. Based on the observation of outdoor sketch, I adopt the conception of Chinese painting and western auto painting as my forms and use plywood as my material. I check the pedigree of creation and the usage of materials through creation experiment and analysis.
In Chapter Three, I put emphasis on the practice of my work, describing creation ideas and inside feelings and analyzing the techniques and the process of creation. At last, “Seeing an actual picture in real life as contrast to an individual’s mind feeling” is evolved from it.
Chapter Four is the conclusion that clarifies the ideas and come to the conclusion after trying it. I review all the problems in the process of research and think about the possibility to extend creation in the future; to a greater extent, I map out the goal of my creation in the future.
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