The analysis and interpretation of J. S. Bach's <<Sonata for Violoncello and Harpsichord in D Major No.2 BWV1028>>
碩士 === 國立臺南藝術大學 === 音樂表演與創作研究所 === 96 === The works of J.S. Bach are part of a performer's indispensable compositions. However, it is a great challenge to interpret the articulation that was done 200 years ago. In this article, the main study will focus on J. S. Bach’s Sonata for Violoncello an...
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ndltd-TW-096TNCA58220122015-10-13T14:49:53Z http://ndltd.ncl.edu.tw/handle/90313258432080154978 The analysis and interpretation of J. S. Bach's <<Sonata for Violoncello and Harpsichord in D Major No.2 BWV1028>> 約翰‧賽巴斯蒂安‧巴赫《D大調第二號大提琴與大鍵琴奏鳴曲BWV1028》分析與詮釋 王雅慧 碩士 國立臺南藝術大學 音樂表演與創作研究所 96 The works of J.S. Bach are part of a performer's indispensable compositions. However, it is a great challenge to interpret the articulation that was done 200 years ago. In this article, the main study will focus on J. S. Bach’s Sonata for Violoncello and Harpsichord in D Major No. 2 BWV1028. It starts with the discussion of composing style and Sonata da Chiesa in the Baroque Era. Following that, the development of Baroque music, and the differences between Viola da Gamba and the modern Violin Family will be discussed. With these foundations, the structural analysis of the work is needed. Finally, the writing concludes with the interpretation of authentic performance. The goal of this paper is to achieve the performing style of Baroque music when playing the work. 柯慶姿 張曉雯 2008 學位論文 ; thesis 45 zh-TW |
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碩士 === 國立臺南藝術大學 === 音樂表演與創作研究所 === 96 === The works of J.S. Bach are part of a performer's indispensable compositions. However, it is a great challenge to interpret the articulation that was done 200 years ago. In this article, the main study will focus on J. S. Bach’s Sonata for Violoncello and Harpsichord in D Major No. 2 BWV1028. It starts with the discussion of composing style and Sonata da Chiesa in the Baroque Era. Following that, the development of Baroque music, and the differences between Viola da Gamba and the modern Violin Family will be discussed. With these foundations, the structural analysis of the work is needed. Finally, the writing concludes with the interpretation of authentic performance. The goal of this paper is to achieve the performing style of Baroque music when playing the work.
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柯慶姿 |
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柯慶姿 王雅慧 |
author |
王雅慧 |
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王雅慧 The analysis and interpretation of J. S. Bach's <<Sonata for Violoncello and Harpsichord in D Major No.2 BWV1028>> |
author_sort |
王雅慧 |
title |
The analysis and interpretation of J. S. Bach's <<Sonata for Violoncello and Harpsichord in D Major No.2 BWV1028>> |
title_short |
The analysis and interpretation of J. S. Bach's <<Sonata for Violoncello and Harpsichord in D Major No.2 BWV1028>> |
title_full |
The analysis and interpretation of J. S. Bach's <<Sonata for Violoncello and Harpsichord in D Major No.2 BWV1028>> |
title_fullStr |
The analysis and interpretation of J. S. Bach's <<Sonata for Violoncello and Harpsichord in D Major No.2 BWV1028>> |
title_full_unstemmed |
The analysis and interpretation of J. S. Bach's <<Sonata for Violoncello and Harpsichord in D Major No.2 BWV1028>> |
title_sort |
analysis and interpretation of j. s. bach's <<sonata for violoncello and harpsichord in d major no.2 bwv1028>> |
publishDate |
2008 |
url |
http://ndltd.ncl.edu.tw/handle/90313258432080154978 |
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