A Study of Sechs Lieder aus“Jucunde”, Op. 23 by Clara Schumann

• Main Authors: HUI-YEN HSU, 許慧彥
• Other Authors: 洪珮綺
• Format: Others
• Language: zh-TW
• Published: 2007
• Online Access: http://ndltd.ncl.edu.tw/handle/29888330975866514034

碩士 === 國立臺南藝術大學 === 鋼琴伴奏合作藝術研究所 === 96 === In the 19th century, the Fuquan shehuei in Germany aimed to cultivate professional male musicians. However, Clara Schumann, who was a female musician, played a crucial role in the field. There was no doubt that she owned something very exceptional and prominent that could be respected by others. Therefore, she had a great influence on the whole society in Germany. Furthermore, Clara Schumann, a pianist, composing just a few vocal works, must have been touched by the poems she selected then made them to her works. That was also one of the reasons that I was interested in doing the research about her vocal works. This study is developed not only to analyze the compositional techniques used in Clara Schumann's six songs, Op. 23, text chosen from “Jucunde” by Hermann Rollett, but also to focus on the relationships between poems and music.