| Summary: | 碩士 === 國立臺南藝術大學 === 民族音樂學研究所 === 96 === Since year of 1980, the composition of Zheng music had been incorporated many creations of professional composers. For the past tens of years, there are much more pieces than before; not only from the composers, but from the performers. In this thesis, we try to discuss the music structure, performance study and versions of plays of the three Zheng pieces, “Ming Mountain”, “The Eternal Sorrow of Lin’an” and “Spring in Jungle”. In the three pieces, “Ming Mountain” is composed by a Zheng performer. By practical performance exercise, he employed numerous play skills and knocking sound in Zheng performance to compose it. On the other hand, “The Eternal Sorrow of Lin’an” and “Spring in Jungle” are composed by professional composers. The two unique Zheng pieces are composed from historic background and depiction of scenery of mountains and waters, respectively.
The first chapter of this thesis includes the motivation, purpose of study, literature discussion and area of study. From chapter two to chapter four, we try to analyze the three Zheng pieces, “Ming Mountain”, “The Eternal Sorrow of Lin’an” and “Spring in Jungle”, respectively. In the four sections of these chapters, we discuss the background of composition, composer introduction, music structure, performance study and versions of plays for the above 3 pieces.
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