| Summary: | 碩士 === 東吳大學 === 音樂學系 === 96 === Paul Hindemith (1895-1963), German music performer, compositor, musical educator and musical thinker– one musician at all dimensions, represents the one of the brilliant victors for the contemporary music at the beginning of twentieth century. Hindemith, as a revolutionary, his prominent harmony theory offers a new technique of composition, emancipated the relationship of tonality and takes as a means of understanding and analyzing the harmonic structure widely from the traditional approach. So, based on his philosophy of eclecticism, he has established a new dialogue base for the traditional music and the contemporary music. For the former, in virtue of his personality nostalgic, he likes old chants and estimates all the musical structures through the Baroque to the Romanism; for the latter, facing the currents of the Impressionism, the Expressionism (the Serialism) and the Neo-classicism, he has significantly advanced his music system to criticize them then to give them synthetic interpretations. This is why his musical contributions can not still be ignored in this Age. For the purpose of performing education, Hindemith has composed for a time, between 1934-1955, a great series of sonatas for different solo instruments and piano. Each sonata is famous and known well by any instrumental performers. This thesis researched on the « sonata for bassoon and piano (1948) » is the one from there. The main content of this thesis is divided into three parts (from second chapter to forth chapter). In the first part, chapter 2, it discusses Hindemith’s life story, his style of music and the background and the motive of the « sonata for bassoon and piano ».In the second part, chapter 3, it analyzes the musical texture, the tonality and the harmony, and the application of themes, melodies and rhythms. In the final part, chapter 4, it provides the author’s performance annotation and propositional practice; furthermore, it compares some recorded sound materials of this sonata.
Recital program:
1. G..P.Telemann (1681-1757):Sonata in e minor for Bassoon and Piano
2. C.M.von Weber (1786-1826):Concerto in F major ,op.75 for Bassoon and Piano
3. G.Pierne (1863-1937):Concertpiece op.35 for Bassoon and Piano
4. G.Schreck (1849-1918):Sonata for Bassoon and Piano
5. F.Poulenc (1899-1963):Trio for piano, oboe and Bassoon
|
|---|
