The Study and Interpretation of a Selection of Italian Romantic Opera Arias with Reference to the Light Lyric Soprano Repertoire

• Main Authors: Wang Chia Chia, 王嘉嘉
• Other Authors: Chai Pao Ling
• Format: Others
• Language: zh-TW
• Published: 2008
• Online Access: http://ndltd.ncl.edu.tw/handle/25304670913206786121

碩士 === 中國文化大學 === 音樂研究所 === 96 === Abstract The present study possesses six chapters. The first chapter is to describe the motivation, purpose, material and method of the thesis. The second chapter discusses how to know the Opera and Opera basic organization. The third chapter discusses the Italy Opera’s history from middle ages century to romantic. The fourth chapter discusses the characteristics of a lyric soprano, including vocal discernment and classification of compositions for lyric soprano , and the role of lyric soprano in an Opera. The fifth chapter discusses vocal training for a lyric soprano, including breathing, phonation, and skills of vocalism, and solution method. The last chapter discusses the presentation of Opera highlights that will be performed in my recital, including Aria of 《Lucia di Lammermoor》 and 《La fille du regiment》 by G.Donizetti (1797 -1848): 」 Regnava nel silenzio」, 」 Ah!Ciascun lo dice」.Aria of 《La Sonnambula》and 《I puritani》 by Vincezo Bellini， (1801-1835)」 Ah!non credea mirarti」 ,」Son vergin vezzosa」. Aria of 《Rigoletto》and 《Falstaff》 by Giuseppe Verdi(1813-1901): 」 Caro nome」, 」 Sul fil d'un soffio etesio」.