Research of Ho Hong- hsiung's abstract supltures

• Main Authors: CHEN CHING-CHIN, 陳敬欽
• Other Authors: 劉柏村
• Format: Others
• Language: zh-TW
• Published: 2008
• Online Access: http://ndltd.ncl.edu.tw/handle/65128418912997933985

碩士 === 國立臺灣藝術大學 === 造形藝術研究所 === 96 === With the impacts of the Eastern and Western art ideologies, Ho Heng-Hsiung’s abstract sculptures are integrated combination between the abstract style and modern creation viewpoints of West, and philosophical ideologies and traditional elements of the East. In Chapter 1, the course of Western art serves as reference in exploring issues related to the nature of blocks and materials used in his works in order to propose the effects of altered Western art ideology have on him. In Chapter 2, Ho’s aesthetic ideologies are discussed to depict the intrinsic contents of metaphysics. In Chapter 3, the work expression and lexical use are analyzed to discover the contents and intrinsic implications, which exploit the meaning of life in nature. In Chapter 4, the 2001 “Pond (Shuitang)” work series are discussed to further find out directions and spatial issues different from the past. Finally, it is concluded that Ho’s abstract sculpture is the outcome of integration and expansion of Eastern and Western art ideologies.