Perception,standing on the earth
碩士 === 國立臺灣藝術大學 === 造形藝術研究所 === 96 === ABSTRACT Besides inspiration which derived from introspection of life , we can perceive that how an artist build up the quality of a material of a work from artist’s works. To writer , instead of facing immense distributions of messages of this contemporary wo...
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ndltd-TW-096NTUA05800542017-05-13T04:23:49Z http://ndltd.ncl.edu.tw/handle/73659325003652661031 Perception,standing on the earth 地表精神-關於垂直與水平的標的 Chiu Chen-Hung 邱承宏 碩士 國立臺灣藝術大學 造形藝術研究所 96 ABSTRACT Besides inspiration which derived from introspection of life , we can perceive that how an artist build up the quality of a material of a work from artist’s works. To writer , instead of facing immense distributions of messages of this contemporary world , he pays close attention to how to keep these memories effectively and embed them in the language of creation. The meaning of a work can be a kind of recording function which differs from one of historical archives recording objects realistically. The quality of recording lays stress on meanings the artist created;When viewing works , we did not plunge into the plots of stories as surveying history and works more likely set up another context from this process. This process via making up and arranging proceeds a type of reviewing for this world. Works possess the function of classical monuments , but different meanings comparing grand ones in the past. It directs an issue of space. The writer attempts to analyze the connection of space-time memorial sculpture indicated as a way of carrying on meanings by works. We found a far-reaching moral that ,besides corresponding the creations of humanity since ancient period , memorial sculptures play an index of this temporal context and provide a kind of reference in creation for the writer. It is more like a plain observation and study different from godliness and immortality erecting in the past , exploring personal experiences and logic. 劉柏村 2008 學位論文 ; thesis 67 zh-TW |
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碩士 === 國立臺灣藝術大學 === 造形藝術研究所 === 96 === ABSTRACT
Besides inspiration which derived from introspection of life , we can perceive that how an artist build up the quality of a material of a work from artist’s works. To writer , instead of facing immense distributions of messages of this contemporary world , he pays close attention to how to keep these memories effectively and embed them in the language of creation. The meaning of a work can be a kind of recording function which differs from one of historical archives recording objects realistically. The quality of recording lays stress on meanings the artist created;When viewing works , we did not plunge into the plots of stories as surveying history and works more likely set up another context from this process. This process via making up and arranging proceeds a type of reviewing for this world. Works possess the function of classical monuments , but different meanings comparing grand ones in the past. It directs an issue of space. The writer attempts to analyze the connection of space-time memorial sculpture indicated as a way of carrying on meanings by works. We found a far-reaching moral that ,besides corresponding the creations of humanity since ancient period , memorial sculptures play an index of this temporal context and provide a kind of reference in creation for the writer. It is more like a plain observation and study different from godliness and immortality erecting in the past , exploring personal experiences and logic.
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author2 |
劉柏村 |
author_facet |
劉柏村 Chiu Chen-Hung 邱承宏 |
author |
Chiu Chen-Hung 邱承宏 |
spellingShingle |
Chiu Chen-Hung 邱承宏 Perception,standing on the earth |
author_sort |
Chiu Chen-Hung |
title |
Perception,standing on the earth |
title_short |
Perception,standing on the earth |
title_full |
Perception,standing on the earth |
title_fullStr |
Perception,standing on the earth |
title_full_unstemmed |
Perception,standing on the earth |
title_sort |
perception,standing on the earth |
publishDate |
2008 |
url |
http://ndltd.ncl.edu.tw/handle/73659325003652661031 |
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