| Summary: | 碩士 === 國立臺灣藝術大學 === 造形藝術研究所 === 96 === ABSTRACT
Besides inspiration which derived from introspection of life , we can perceive that how an artist build up the quality of a material of a work from artist’s works. To writer , instead of facing immense distributions of messages of this contemporary world , he pays close attention to how to keep these memories effectively and embed them in the language of creation. The meaning of a work can be a kind of recording function which differs from one of historical archives recording objects realistically. The quality of recording lays stress on meanings the artist created；When viewing works , we did not plunge into the plots of stories as surveying history and works more likely set up another context from this process. This process via making up and arranging proceeds a type of reviewing for this world. Works possess the function of classical monuments , but different meanings comparing grand ones in the past. It directs an issue of space. The writer attempts to analyze the connection of space-time memorial sculpture indicated as a way of carrying on meanings by works. We found a far-reaching moral that ,besides corresponding the creations of humanity since ancient period , memorial sculptures play an index of this temporal context and provide a kind of reference in creation for the writer. It is more like a plain observation and study different from godliness and immortality erecting in the past , exploring personal experiences and logic.
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