The City Flâneur
碩士 === 國立臺北教育大學 === 藝術學系碩士班 === 96 === The City Flâneur Abstract For the flâneur, what the body played was an area that revealed the experience. The flâneur felt the space of the city by real action. Therefore, the city flâneur experience was exactly to feel, to know, and to permeate by real act...
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ndltd-TW-096NTPTC6320082015-10-13T14:00:25Z http://ndltd.ncl.edu.tw/handle/26821426268843491881 The City Flâneur 城市‧漫遊 Linying-chun 林盈君 碩士 國立臺北教育大學 藝術學系碩士班 96 The City Flâneur Abstract For the flâneur, what the body played was an area that revealed the experience. The flâneur felt the space of the city by real action. Therefore, the city flâneur experience was exactly to feel, to know, and to permeate by real action and body perception. In my works, I observed the city buildings. By flâneur, I integrated individual city walk experience into subjective creations. I spread my flâneur experience from the near to the distance gradually, and turned the north, midland and south building symbols diffusion into a imaginational world . I composed with rationality and perceived with sensitivity to emphasize definite, simple and sharp lines to make up a simple style and combine rational perception. In interlaced lines and pieces, my works presented rational emotion and intermitted the audience’s vision in “imaginational spiritual city” and “Modern Utopia”. Due to the randomness and haphazard of flâneur, the flaneur’s image was fractions and discontinuousness. I put all the buildings and symbols that we could see in the city together by piece and paste. I deconstructed the actual scenes and rearranged the structure to present my own city impression intuitively. 羅森豪 2008 學位論文 ; thesis 91 zh-TW |
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碩士 === 國立臺北教育大學 === 藝術學系碩士班 === 96 === The City Flâneur
Abstract
For the flâneur, what the body played was an area that revealed the experience. The flâneur felt the space of the city by real action. Therefore, the city flâneur experience was exactly to feel, to know, and to permeate by real action and body perception.
In my works, I observed the city buildings. By flâneur, I integrated individual city walk experience into subjective creations. I spread my flâneur experience from the near to the distance gradually, and turned the north, midland and south building symbols diffusion into a imaginational world . I composed with rationality and perceived with sensitivity to emphasize definite, simple and sharp lines to make up a simple style and combine rational perception. In interlaced lines and pieces, my works presented rational emotion and intermitted the audience’s vision in “imaginational spiritual city” and “Modern Utopia”.
Due to the randomness and haphazard of flâneur, the flaneur’s image was fractions and discontinuousness. I put all the buildings and symbols that we could see in the city together by piece and paste. I deconstructed the actual scenes and rearranged the structure to present my own city impression intuitively.
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author2 |
羅森豪 |
author_facet |
羅森豪 Linying-chun 林盈君 |
author |
Linying-chun 林盈君 |
spellingShingle |
Linying-chun 林盈君 The City Flâneur |
author_sort |
Linying-chun |
title |
The City Flâneur |
title_short |
The City Flâneur |
title_full |
The City Flâneur |
title_fullStr |
The City Flâneur |
title_full_unstemmed |
The City Flâneur |
title_sort |
city flâneur |
publishDate |
2008 |
url |
http://ndltd.ncl.edu.tw/handle/26821426268843491881 |
work_keys_str_mv |
AT linyingchun thecityflaneur AT línyíngjūn thecityflaneur AT linyingchun chéngshìmànyóu AT línyíngjūn chéngshìmànyóu AT linyingchun cityflaneur AT línyíngjūn cityflaneur |
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