The study of visual composition in multiple perspectives

• Main Author: 王萬忱
• Other Authors: 梁桂嘉
• Format: Others
• Language: zh-TW
• Published: 2008
• Online Access: http://ndltd.ncl.edu.tw/handle/khtm35

碩士 === 國立臺灣師範大學 === 設計研究所在職進修碩士班 === 96 === Techniques of expression in multiple perspectives have been seen in both eastern and western artistic creations in painting, photography and collage. Although having characters of multiple perspectives in common, the techniques of expression and objectives differ greatly in west and east. This research discusses the history of multiple perspectives, psychology of graph recognition and the composition between image and space by article reviews. It also collects related works of multiple perspectives and then categorizes and generalizes them as references for creation. The results of this research have been applied to personal creation as mutual proofs of theories and creation. The results of this research are generalized into the following 3 points. A.The article reviews focus on the background of how techniques of expression’s forms in multiple perspectives to understand the definition and history of multiple perspectives and artistic styles with characters of multiple perspectives. Further, it discusses the differences between eastern and western techniques of expression in multiple perspectives and the relationship between expression of times and photographic collage. B.It collects and analyzes related works of multiple perspectives and then generalizes the following characters of multiple perspectives works: 1.Space 2. Edge 3.Visual tension 4. Expressions of time C.The works present the topic of city images with techniques of expression in multiple perspectives in collage of digital images. It also discusses the relationship between people and locations in the city and the relationship between time and space. By innovative visual experience, it re-observes the scenery of city that we are familiar with.