「夢諭」-從武滿徹晚期管絃樂作品探討「夢」的詩意形象及其音樂語言

• Main Authors: Hsiao, Yung-Shen, 蕭永陞
• Other Authors: Lien, Hsien-Sheng
• Format: Others
• Language: zh-TW
• Published: 2008
• Online Access: http://ndltd.ncl.edu.tw/handle/41925081367829587264

碩士 === 國立臺灣師範大學 === 音樂學系 === 96 === Toru Takemitsu (1930-1996), a contemporary Japanese composer, influenced by French music tradition, discovers oriental element to create unique music language himself. Since his work, A Flock Descends into the Pentagonal Garden (1977), he creates a series of orchestra works with the topic of dream. Besides French music language tradition, Takemitsu is deeply influenced by French philosopher G. Bachelard(1884-1962) in terms of artistic ideas, particularly the theme of “reverie” and “imagination de la matière.” He absorbs Bachelard’s philosophical ideas into his music creation. Researcher want to discuss the processes of music creation have close relationship with reverie through Bachelard’s point of view of poetic. This thesis focuses on the idea of reverie in Takemitsu’s music creation through Bachelard’s poetic philosophy so that Takemitsu’s world of creation can be revealed. Besides, I am curious how Takemitsu transform the poetic image and creates his music language in his works with the perspective of music analysis.