Deconstructing Identity:To Investigate the Aesthetic Praxis within Cultural Consumption ,Since1990

碩士 === 國立臺灣師範大學 === 美術學系在職進修碩士班 === 96 === Identity, as a priori form, is subsumed in the collective reality of our society today, simultaneously, along with when it has been moved in the west on the aesthetics within since 90s. Among those embodied factors of symbol, culture (religion included), an...

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Bibliographic Details
Main Authors: Hsheh Chen Lin, 林雪貞
Other Authors: Michel Yang
Format: Others
Language:zh-TW
Published: 2007
Online Access:http://ndltd.ncl.edu.tw/handle/99740058150099894089
Description
Summary:碩士 === 國立臺灣師範大學 === 美術學系在職進修碩士班 === 96 === Identity, as a priori form, is subsumed in the collective reality of our society today, simultaneously, along with when it has been moved in the west on the aesthetics within since 90s. Among those embodied factors of symbol, culture (religion included), and politics, which are persistent to influence the “praxis” of the west as they are constituted in a certain way, our society, instead ,concedes herself overwhelmingly to the political confrontations to history. However, as contextual agenda of cultural politics becomes more theoretically and critically deconstructing, could they in return be established as a canon inside the global society by revealing some marginal meaning across aesthetic and political domains? The west were preoccupied with discussions and manifestos based on differentiation for years, and have turned to demonstrated themselves a historical logic, the legitimate process of differentiation, and which also discover a potential solution with creativity and systemization for the future collective identity of our society as well.