Flickering Reflections and Fleeting Shadows──

碩士 === 國立新竹教育大學 === 人資處美勞教學碩士班 === 96 === This study on original works is based on incidents occurred in real life of the author between 2002 and 2007. It describes the consciousness image, self-awareness realization and awakening induced by incidents residing in the domain of ever-changing time in...

Full description

Bibliographic Details
Main Authors: Hsieh Pei-Tzwu, 謝佩足
Other Authors: 李足新
Format: Others
Language:zh-TW
Published: 2007
Online Access:http://ndltd.ncl.edu.tw/handle/27731242213441608311
Description
Summary:碩士 === 國立新竹教育大學 === 人資處美勞教學碩士班 === 96 === This study on original works is based on incidents occurred in real life of the author between 2002 and 2007. It describes the consciousness image, self-awareness realization and awakening induced by incidents residing in the domain of ever-changing time in a split second and the ceaseless transforming space. It mainly wields methods imbedded in multifaceted thought of Cubism, supplemented with time dynamic expression of Futurism, imagination division of Surrealism or simplified or organized in addition to been strung together, as the emotional expression, and express them via the works creation of oil painting. The author’s mind image is reflected through art work itself, coupling with practically theoretical exploration and the composite rearrangements from different perspectives, and finally consolidated through self-examination. The research timeframe for this works of art was between 2005 and 2007. In the process, observation research method and contents analysis method were applied to collect research data. And through incessant observation, reflection and exploration, the whereabouts for the research of this art works were consolidated and crystallized. The actual implementation for this art works was through the quality analysis method and action research method to fine-tune the quality of art works, and previous ambiguities were clarified and the value of its true existence was conspicuous. In exploring the relevant theoretical foundation, it proceeds from the perspectives of Cubism of multi-level visually creative method, Futurism of speed and simultaneity, and Surrealism of real and imaginary world, etc. The contents include the art work essence itself, conveying of the perceptions and ideas and the expression methods of both time and space. It also creates art works from the perspective of simultaneity, and through this to enhance the art works research architecture and used as the theoretical foundation of this study. The subject will be formed in the process of establishing the theoretical foundation. This is confirmed through integration of the previous art work’s academic research and self perspectives. It not only exemplifies the recitation and lamentation in regard to time and space image by the author, but also it conveys the caring for societal and natural environments through the art work expression. As for the presentation, the art works are illustrated from the content’s perspectives, and characteristics of the format and technique, which include the presentation format, space arrangement and the colorings and so on. Concurrently, there are impromptu self-reflections in regard to research findings in addition to improvement suggestions, and self-expecting of deeper revelations and prospects in the future.