In Search of the Self: Kazuo Ishiguro's When We Were Orphans as an Anti-Detective Narrative

碩士 === 國立交通大學 === 外國文學與語言學研究所 === 96 === This thesis attempts to analyze how Kazuo Ishiguro utilizes the anti-detective narrative structure to focalize the process of self-searching for Christopher Banks. As a detective himself, Christopher Banks in When We Were Orphans sets out on a quest for the t...

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Bibliographic Details
Main Authors: Yu-Lin Liao, 廖育琳
Other Authors: Ying-Hsiung Chou
Format: Others
Language:en_US
Published: 2008
Online Access:http://ndltd.ncl.edu.tw/handle/05789865776854540085
Description
Summary:碩士 === 國立交通大學 === 外國文學與語言學研究所 === 96 === This thesis attempts to analyze how Kazuo Ishiguro utilizes the anti-detective narrative structure to focalize the process of self-searching for Christopher Banks. As a detective himself, Christopher Banks in When We Were Orphans sets out on a quest for the truth of his parents’ case as well as for the meaning of life. Through narrating his past experience, Christopher Banks tries to let readers identify with his past condition and understand his evolution of the self. It is stressed that only by means of narrating and interpreting stories of the past experience are Banks and readers able to fashion and refashion their new selves, thereby acquiring their narrative identity and making their lives more meaningful and colorful. Chapter One briefly introduces Kazuo Ishiguro’s biography and the themes of his works. Christopher Banks in When We Were Orphans is displaced and homeless. This thesis intends to contend that only through discovering the truth of his parents and narrating the self is Banks able to discover his own placement in the world. Chapter Two explores some key concepts mainly based on discussions of selfhood and narrative identity proposed by Paul Ricoeur as well as the detective narrative to lay the foundations for the interpretation of the text. It is argued that When We Were Orphans is an anti-detective narrative since the supposed Banks’s parents’ kidnapping turns out to be an imagined story. Chapter Three deals with how the theoretical scheme is applied to explain the novel, particularly in connection with the protagonist’s self. Combining the social context and Ishiguro’s intended theme with the narrative structure of the novel, this thesis shows how Banks’s unstable self is to evolve ultimately in his life. It is stated that by narrating what is on the move in his everyday life of the past to regain self-awareness, Banks is able to know more about his inner desire and then alter it to some extent. Without the practice and narration of life, a new self is not to be easily formed. Chapter Four concludes the thesis by summarizing the previous arguments and making final remarks on the textual analysis of this novel. The text shows how restrictions ultimately are lifted from the new self. It also shows that identities are unstable, and the ever-changing self is to be narrated and interpreted each time the character relates his story in communication with readers.