| Summary: | 碩士 === 國立成功大學 === 藝術研究所 === 96 === Installation art pieces are prevalent in the postmodern art world. Comparing withthe traditional aesthetics - painting works, there are three elements composed,including “space”,” audience” and ”works”. Therefore, when people stand through the installation works, the subjective/objective relationship between space and people willtend to combination instead of opposition. In the installation artists of Taiwan, Wang Te-yu is one of the artists that have always sought the body’s sensory experience between the audience and spaces. Starting from the beginning of sculpture theory, shetried to transform these abstract concepts, such as space, material, texture, the tactile sense and structure, into an exact entity. In the past, the criticism discourse of Wang Te-yu’s works focused on the external of symbolical meaning. We should pay more attention to explore the existential form and situation of people in these works’ space.
Wang Te-yu’s airbag installation is a new form of the aesthetics of relations.It encouraged the audience to explore their original sensory capability and ability that
capture an abstract feeling of existence within it. We should forsake the point of visual experience and get more understanding about these concepts that she expects the
viewers to believe their direct sensory capability and use it to understand the new art space around them.
|
|---|
