A Study on Pictures of Military Residential Community, Memory, Identification － Tien-Hsin Chu's novels in 90's Analysed by Entire Image of Article

• Main Authors: Jui-chi Su, 蘇睿琪
• Other Authors: Hsiao-ping Chou
• Format: Others
• Language: zh-TW
• Published: 2008
• Online Access: http://ndltd.ncl.edu.tw/handle/84617685767014793048

碩士 === 國立成功大學 === 中國文學系碩博士班 === 96 === A characteristic of the military residential community literature is that authors describe under their pens not only daily lives of community members but “life” of the entire dependent’s villages. Image symbols of community patterns provide abundant elements for authors’ composing no matter in handwriting of memories, towns, and emotions. To those authors, changes of life, time, and attitude about the community, even facing to the public’s evaluation upon them, present artistic people, scenes, voices, aromas in the time they describe, and indeed infuse in-depth emotions and introspecting thought into literary works. The purpose of this study is to understand how dependent’s villages literature fictions’ authors cast image upon their literatures, establish what time and space background, and even express what languages according to their life experience, backgrounds, and vibration of feeling about people, events, sights, and matters, in order to defend the memory in common among those authors’. In addition, they further reconstruct patterns of the military residential community then to continue emotions about this culture. In order to consider the memory and identification which are backing of the sense about the composing background in Tien-Hsin Chu’s fictions apropos of the 90s’ military residential community, and the applying of image and the present of thought he uses upon articles, this study analyzes separately from image though, logic thought, and integration thought, and also further investigates the shape, organization, and integration of image that utilizes indistinctly back of the gist. Having analyzed study materials, discoveries can be enumerated as the following: 1. Via the function of association and imagination, Tien-Hsin Chu collects lots former images and reforms to new ones, and further weaves the image materials she uses to express in her literatures. Furthermore, viewing the aspects of passing down and innovation, it can be detected that Tien-Hsin Chu particularly possesses image group and broad vision. 2. Image and its organization string the continuity of time. Tien-Hsin Chu describes matters via the conversation between narrators and space to compose the field of space, the change between different space, and the differences between senses, both are open and significant conversation spaces, then brings the traces of will via the process of flow. 3. Fictions do not always have denouement in the end, but there must be traces of essential points to induce articles’ purpose. Tien-Hsin Chu expresses her entire concept of core consciousness by the way of her past growing experience, historical memory, or patterns of military residential community as principal writing idea. Also, it is able to be detected that her consciousness becomes from past arrogance to isolation, anxiety, disbelief, and hence attempt to be distant from the public.