台灣唱片產業之研究:主流與非主流之比較分析

碩士 === 國立政治大學 === 企業管理研究所 === 96 === The Taiwan popular music industry reached the high peak in 1997 without precedent history that the total output value was NT dollar twelve billion. But from 1998, the Taiwan popular music industry had a quick and decisive turn of events for the worse. Until 2007...

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Main Author: 曾裕恒
Other Authors: 黃秉德
Format: Others
Language:zh-TW
Published: 2008
Online Access:http://ndltd.ncl.edu.tw/handle/41039956457974992089
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spelling ndltd-TW-096NCCU51210552016-05-13T04:14:34Z http://ndltd.ncl.edu.tw/handle/41039956457974992089 台灣唱片產業之研究:主流與非主流之比較分析 曾裕恒 碩士 國立政治大學 企業管理研究所 96 The Taiwan popular music industry reached the high peak in 1997 without precedent history that the total output value was NT dollar twelve billion. But from 1998, the Taiwan popular music industry had a quick and decisive turn of events for the worse. Until 2007 the total output value was about NT dollar two billion that is almost the one sixth of ten years ago. Many people in this industry have blamed the digital music for the sluggish market. But, by contrast, there are more and more people joining the three most famous indie-music festivals, especially Formoz Festival 2007. Although It raised the ticket price to two times, the total entrance people reached one hundred-twenty thousand. Even though there is no direct evidence that the most of customers listening pop music turn to indie music, in fact, the indie music that highlights “honest” and “innovative” gradually attract many customers. Simon Frith said: “pop music as we know it now has been shaped by the problems of making music a commodity and the challenges of adapting money-making practices to changing technologies.” This paragraph indicates that technology is very important to music industry. Besides, the innate character of music is also more important. Therefore, I think that if we want to understand what the problems with, we must take the macroscopic method to analysis this industry. However, the international recording companies have been in droves to lay off employees in order to the sluggish market coming. There are many small or medium major recording companies being formed and turning to China market. And then, many indie music companies use internet to cluster together for store up strength to deconstruct the rule that the international recording companies formulated. The application of internet will improve the “new music” to the market, and the Taiwan popular music industries will revival. 黃秉德 2008 學位論文 ; thesis 162 zh-TW
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description 碩士 === 國立政治大學 === 企業管理研究所 === 96 === The Taiwan popular music industry reached the high peak in 1997 without precedent history that the total output value was NT dollar twelve billion. But from 1998, the Taiwan popular music industry had a quick and decisive turn of events for the worse. Until 2007 the total output value was about NT dollar two billion that is almost the one sixth of ten years ago. Many people in this industry have blamed the digital music for the sluggish market. But, by contrast, there are more and more people joining the three most famous indie-music festivals, especially Formoz Festival 2007. Although It raised the ticket price to two times, the total entrance people reached one hundred-twenty thousand. Even though there is no direct evidence that the most of customers listening pop music turn to indie music, in fact, the indie music that highlights “honest” and “innovative” gradually attract many customers. Simon Frith said: “pop music as we know it now has been shaped by the problems of making music a commodity and the challenges of adapting money-making practices to changing technologies.” This paragraph indicates that technology is very important to music industry. Besides, the innate character of music is also more important. Therefore, I think that if we want to understand what the problems with, we must take the macroscopic method to analysis this industry. However, the international recording companies have been in droves to lay off employees in order to the sluggish market coming. There are many small or medium major recording companies being formed and turning to China market. And then, many indie music companies use internet to cluster together for store up strength to deconstruct the rule that the international recording companies formulated. The application of internet will improve the “new music” to the market, and the Taiwan popular music industries will revival.
author2 黃秉德
author_facet 黃秉德
曾裕恒
author 曾裕恒
spellingShingle 曾裕恒
台灣唱片產業之研究:主流與非主流之比較分析
author_sort 曾裕恒
title 台灣唱片產業之研究:主流與非主流之比較分析
title_short 台灣唱片產業之研究:主流與非主流之比較分析
title_full 台灣唱片產業之研究:主流與非主流之比較分析
title_fullStr 台灣唱片產業之研究:主流與非主流之比較分析
title_full_unstemmed 台灣唱片產業之研究:主流與非主流之比較分析
title_sort 台灣唱片產業之研究:主流與非主流之比較分析
publishDate 2008
url http://ndltd.ncl.edu.tw/handle/41039956457974992089
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