A Discourse on Yu Kuei-Ching’s Creations

• Main Authors: Yu Kuei-Ching, 游貴靖
• Other Authors: Hong Chang–ku
• Format: Others
• Language: zh-TW
• Published: 2008
• Online Access: http://ndltd.ncl.edu.tw/handle/74953983684422277612

碩士 === 華梵大學 === 工業設計學系碩士班 === 96 === Abstract Based on personal art creations, this study induced the artistic features and development of expressionism and cubism from the perspective of art history and presented illustrative diagrams to integrate theories and the practice. Besides, this study also attempted to justify the relationship between “self creation” and “tradition and trends”. Through experiments, the researcher aimed to search for directions for self creations, escape traditional models to form new art creating structures, and pursue an art creating model featuring personal characteristics. The contents of this research included: 1. Introduction of research motivations, objectives, and methods. 2. Literature review consisted of two sections: (1) Development of expressionism and cubism. (2) Exploration of the artistic styles presented by the expressionist artist, Franz Marc (1880-1916). Expressionism is based on artist’s subjectivity, while cubism deepens the results of color themes in the aesthetic revolutions through restructuring of forms. Both intrinsic meanings and formal colors are indispensable in art creation. Thus, the researcher attempted to clarify and break down the historic evolution of expressionism and cubism through literature review. 3. Artistic features of painting: This chapter mainly discussed the formation of space and structural elements, including methods of presentation, lines and strokes, and forms and colors. 4. Creative ideas and analysis of works: Based on the utilization of experimental skills, this chapter progressively explained the author's creating process and analyzed the forms and contents of the creative works. 5. Preliminary conclusions of this research were induced. Through this research, a new art creating model was constructed to solve problems encountered in art creation, clarify confusions in creative painting, and develop directions for personal creative forms.