| Summary: | 碩士 === 國立臺南藝術大學 === 民族音樂學研究所 === 95 === Abstract:
In Taiwan, Pei-Kuan music is continually developing. For tracing and understanding the culture of Pei-Kuan music, it is essential to record the methods in which Pei-Kuan music is handed down. However, the handing-down methods of Pei-Kuan, in spite of written information available, most of its content must be instructed orally by Pei-Kuan teachers for one to realize its meaning. Therefore, recording the activities of instructing Pei-Kuan music culture by Pei-Kuan teachers can make the content of Pei-Kuan music culture to be understood, as well as represent the historical phenomenon of Pei-Kuan music culture.
This paper takes instruction records of CHAN WEN-TSAN’s “First Drama” Fu-Lu “Eight Tipsy Immortals” Pai-Chang as an axis, vertically collects instruction information of two generations for comparison and arrangement, and horizontally records pithy formulae and connection methods for gongs, drums, classics and verses of Fu-Lu “Eight Tipsy Immortals” Pai-Chang which CHAN WEN-TSAN instructed orally. Finally, the writer utilizes flow charts to record and analyze the musical forms used by gongs, drums and Pai-Tzu of CHAN WEN-TSAN’s actual performance content, to interweave the aspects of Pei-Kuan orally instructed music culture.
|
|---|
