An Analysis of the myths of Luxury Goods - A comparative study of the Chinese Editions of the European and Japanese Women’s Magazines.

碩士 === 淡江大學 === 大眾傳播學系碩士班 === 95 === International luxury industry has flourished in Taiwan recently. Many articles have pointed out the consumption of luxury goods facilitated by mass media is not confined to the higher SES groups. However, more exquisite analyses about the trend have yet to be don...

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Main Authors: Nai-Hsuan Kuo, 郭乃瑄
Other Authors: Yi-Kuo Wu
Format: Others
Language:zh-TW
Published: 2007
Online Access:http://ndltd.ncl.edu.tw/handle/76145327902139852003
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spelling ndltd-TW-095TKU050230032015-12-11T04:04:16Z http://ndltd.ncl.edu.tw/handle/76145327902139852003 An Analysis of the myths of Luxury Goods - A comparative study of the Chinese Editions of the European and Japanese Women’s Magazines. 解析精品消費神話:歐美與日系女性雜誌之分析比較研究 Nai-Hsuan Kuo 郭乃瑄 碩士 淡江大學 大眾傳播學系碩士班 95 International luxury industry has flourished in Taiwan recently. Many articles have pointed out the consumption of luxury goods facilitated by mass media is not confined to the higher SES groups. However, more exquisite analyses about the trend have yet to be done. Therefore, this research aims to examine the advertising presentation of luxury brands in the Chinese editions of the European and Japanese women’s magazines. This research focuses on two main questions. First, what kinds of advertising messages in the magazines are used to communicate with their potential consumers? Second, what are the myths or discourses constructed within women’s magazines which encourage the consumption of luxury goods? The research method of examination, which is based on theoretical assumptions of commodity fetishism, Baudrillard and Bourdieu’s statements about consumption, discloses the ideologies hidden in the discourses and advertisements within the women’s magazines by using discourse analysis and semiology. The findings are as follows: First, luxury industries usually use 15 (except”others”) kinds of message patterns to communicate with their consumers. Second, the advertising messages in the Chinese editions of the European women’s magazines are more complicated and ideological than those in the Chinese editions of the Japanese women’s magazines. Third, there are various constructed myths in the Chinese editions of European women’s magazines. For instance, “noble” in Louis Vuitton , “sexy” in Gucci and “young and independent” in Chanel. Last but not the least, international luxury industries obviously try to conceal the “commodity” nature of luxury goods in their media or advertising presentations. Therefore, we need to recognize the real intention of luxury industries while casually reading through those images in the women magazines for pleasure. Yi-Kuo Wu 吳怡國 2007 學位論文 ; thesis 145 zh-TW
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description 碩士 === 淡江大學 === 大眾傳播學系碩士班 === 95 === International luxury industry has flourished in Taiwan recently. Many articles have pointed out the consumption of luxury goods facilitated by mass media is not confined to the higher SES groups. However, more exquisite analyses about the trend have yet to be done. Therefore, this research aims to examine the advertising presentation of luxury brands in the Chinese editions of the European and Japanese women’s magazines. This research focuses on two main questions. First, what kinds of advertising messages in the magazines are used to communicate with their potential consumers? Second, what are the myths or discourses constructed within women’s magazines which encourage the consumption of luxury goods? The research method of examination, which is based on theoretical assumptions of commodity fetishism, Baudrillard and Bourdieu’s statements about consumption, discloses the ideologies hidden in the discourses and advertisements within the women’s magazines by using discourse analysis and semiology. The findings are as follows: First, luxury industries usually use 15 (except”others”) kinds of message patterns to communicate with their consumers. Second, the advertising messages in the Chinese editions of the European women’s magazines are more complicated and ideological than those in the Chinese editions of the Japanese women’s magazines. Third, there are various constructed myths in the Chinese editions of European women’s magazines. For instance, “noble” in Louis Vuitton , “sexy” in Gucci and “young and independent” in Chanel. Last but not the least, international luxury industries obviously try to conceal the “commodity” nature of luxury goods in their media or advertising presentations. Therefore, we need to recognize the real intention of luxury industries while casually reading through those images in the women magazines for pleasure.
author2 Yi-Kuo Wu
author_facet Yi-Kuo Wu
Nai-Hsuan Kuo
郭乃瑄
author Nai-Hsuan Kuo
郭乃瑄
spellingShingle Nai-Hsuan Kuo
郭乃瑄
An Analysis of the myths of Luxury Goods - A comparative study of the Chinese Editions of the European and Japanese Women’s Magazines.
author_sort Nai-Hsuan Kuo
title An Analysis of the myths of Luxury Goods - A comparative study of the Chinese Editions of the European and Japanese Women’s Magazines.
title_short An Analysis of the myths of Luxury Goods - A comparative study of the Chinese Editions of the European and Japanese Women’s Magazines.
title_full An Analysis of the myths of Luxury Goods - A comparative study of the Chinese Editions of the European and Japanese Women’s Magazines.
title_fullStr An Analysis of the myths of Luxury Goods - A comparative study of the Chinese Editions of the European and Japanese Women’s Magazines.
title_full_unstemmed An Analysis of the myths of Luxury Goods - A comparative study of the Chinese Editions of the European and Japanese Women’s Magazines.
title_sort analysis of the myths of luxury goods - a comparative study of the chinese editions of the european and japanese women’s magazines.
publishDate 2007
url http://ndltd.ncl.edu.tw/handle/76145327902139852003
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