Integrating Epigraphic Into Model Letters-A Study of the Development and its social meaning of Zhao Zhiqian’s(1829-1884)Calligraphic Art

碩士 === 東海大學 === 美術學系 === 95 === ABSTRACT The purpose of the thesis is mainly to explore the process of evolution factors and its social implication,and the style of Zhao Zhiqian’s calligraphy, and to trace the source of his styles. Make it to be materials by the images of calligraphic and painting’s...

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Bibliographic Details
Main Authors: Wang,jia-yi, 王佳以
Other Authors: 吳超然
Format: Others
Language:zh-TW
Published: 2007
Online Access:http://ndltd.ncl.edu.tw/handle/89405282384911676070
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Summary:碩士 === 東海大學 === 美術學系 === 95 === ABSTRACT The purpose of the thesis is mainly to explore the process of evolution factors and its social implication,and the style of Zhao Zhiqian’s calligraphy, and to trace the source of his styles. Make it to be materials by the images of calligraphic and painting’s works of Zhao Zhiqian,to get united the historical documents,contemporary academic articles and literary works,meanwhile based the researching achievements of predecessors,and further to expore,to inspect the process of evolution of source and style of calligraphic arts by the methods of image record、historical、culturalogy,and to explore the developing orbit and social meanings of Zhao Zhiqian. This thesis will to recall the calligraphic art of Zhao Zhiqian, to translate the engravings calligraphy of Northern Wei Dynasty that appear in the calligraphic works of Zhao Zhiqian,analyzed the style of Zhao’s original works and to be added the same letters of original engraving to them,arrayed the order and analyzed the shift of style among them,in the process of comparing these to the original engraving calligraphies to understand what’re the lessons that he had learned from it?Which are that he had emulated Dong Shi, and which are that he had emulated Wu Rangzhi and Yan Delin? When the writer in the process of exploring his style of calligraphic art,found out strokes of calligraphy appears the calligraphic style of knife’s usage,both of cutting a seal and calligraphy are interacting. In early,the way of cutting the seal in a seal type to be added to the style of calligraphy,after this,during the period of nuturing of new style of calligraphy,the calligraphic style of Northern Wei Dynasty calligraphy,style of swelling ink to be added to his style of calligraphy one by one,during the high tide of master and mature,he had added the ideas to the style of his calligraphy,and before 42 of age,his style of calligraphy is inclined to the style of exaggeration,before this,it’s inclined to contractile,his alligraphies and paintings have this inclinations,the writer is curious about it,what’re the factors that had affected it after all,these are the connotations,which the writer intended to further explore,and move forward to establish the process of evolution of his calligraphies style. The calligrphy of Zhao Zhiqian is developing continually,Always has new phenomenon,the writer according to the poetic guality of writing and the character of art,arrayed the process of evolution of calligraphy style as follows:the first period,before 33 of age (1861s) large words ate abiding by the calligraphy of Yan Zhenqing,then small words have the approximately the ancient practices of Wang Xizhi and Wang Xianzhi,it’s being called the period of Yan’s calligraphy,the second period is from 34 of age (1862s) to before the 37 of age,it had been changed very much,looking all over the ancient cutting words of metal’s and stone’s steles,it’s the result of natural integration the extensive involved and ample consulted,it’s being called " Integrating Epigraphic Into Model Letters ",appear the view of " Wei entity and Yan surface",it’s nurturing period of new calligraphic style,from 37 of age to 42 of age (1870s),it’s to be added the style of Wei inscription and intended to a style of exaggeration and broad minded and unrestrained,that’s a high tide of master and mature,after 42 of age,it’s intending to a style of cautious fake and exaggerated,it’s tidy of array and parallel of left and right,intending to the array of well-knit has a calligraphic style of collected,skillful and forceful,hoary and old,simple and imposing,grandiose and strong,vigorous and energetic,it’s a period of antiquated and frankly. During the exploration of the evolutionary trace and the process of Zhao Zhiqian’s calligraphic style,what’re the meanings of history and social that it appear?and what’s the relationship between his calligraphic brand-new appearance and inscription age?which is this thesis want to explore.It meant of the elements of subjective and of objective of the form of hobbies and characters as previous narrations.It reflected the relationships among the every kind of calligraphy-seekers、secular lovers and sponsors,it also reflected the thoughtful intend and emotional fun.By the way,he had once sold books for living,that had joint affected his style of writing calligraphy,the writer expect to through works,from the colophons,seal postscripts,the writing contents,letters….etc.of calligraphy and paintings,the record of words among previous narrated,to search for translating the esthetic consciousness of his Calligraphy,paintings and the cutting seal art,the thoughtful connotations,the whole ideas of art,the source and learning. By means of the angle of art history to make an evidence,a collation,and a style’s analysis of the works,and further to explore the meanings that the works appear.Finally,we made a conclusive narrations to give a objective and fairly narrations of the estimates and relative narrations,the meanings and merits in the history of calligraphy.